These promotions will be applied to this item:
Some promotions may be combined; others are not eligible to be combined with other offers. For details, please see the Terms & Conditions associated with these promotions.
Audiobook Price: £27.99£27.99
Save: £25.00£25.00 (89%)
Your Memberships and Subscriptions

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Follow the author
OK
Bleak House (unabridged, illustrated) (Bantam Classics) Kindle Edition
- LanguageEnglish
- Publisheridb
- Publication date30 Sept. 2017
- File size5.2 MB
Product description
Review
When Dickens wrote Bleak House he had grown up. --G.K. Chesterton
From the Inside Flap
From the Back Cover
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Bleak House
By Charles Dickens, Nicola Bradbury, Terry Eagleton, Hablot K. BrownPenguin Publishing Group
Copyright © 2003 Charles DickensAll rights reserved.
ISBN: 978-0-14-143972-3
Chapter One
In Chancery
London. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln's Inn Hall. Implacable November weather. As much mud in the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus,forty feet long or so, waddling like an elephantine lizard up Holborn-hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes-gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another's umbrellas, in a general infection of ill-temper, and losing their foot-hold at street corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping, and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales
of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little 'prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds.
Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time-as the gas seems to know, for it has a haggard and unwilling look.
The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest, near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation: Temple Bar. And hard by Temple Bar, in Lincoln's Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
Never can there come fog too thick, never can there come mud and mire too deep, to assort with the groping and floundering condition which this High Court of Chancery, most pestilent of hoary sinners, holds, this day, in the sight of heaven and earth.
On such an afternoon, if ever, the Lord High Chancellor ought to be sitting here-as here he is-with a foggy glory round his head, softly fenced in with crimson cloth and curtains, addressed by a large advocate with great whiskers, a little voice, and an interminable brief, and outwardly directing his contemplation to the lantern in the roof, where he can see nothing but fog. On such an afternoon, some score of members of the High Court of Chancery bar ought to be-as here they are-mistily engaged in one of the ten thousand stages of an endless cause, tripping one another up on slippery precedents, groping knee-deep in technicalities, running their goat-hair and horse-hair warded heads against walls of words, and making a pretence of equity with serious faces, as players might. On such an afternoon, the various solicitors in the cause, some two or three of whom have inherited it from their fathers, who made a fortune by it, ought to be-as are they not?-ranged in a line, in a long matted well (but you might look in vain for Truth at the bottom of it), between the registrar's red table and the silk gowns, with bills, cross-bills, answers, rejoinders, injunctions, affidavits, issues, references to masters, masters' reports, mountains of costly nonsense, piled before them. Well may the court be dim, with wasting candles here and there; well may the fog hang heavy in it, as if it would never get out; well may the stained glass windows lose their color, and admit no light of day into the place; well may the uninitiated from the streets, who peep in through the glass panes in the door, be deterred from entrance by its owlish aspect, and by the drawl languidly echoing to the roof from the padded dais where the Lord High Chancellor looks into the lantern that has no light in it, and where the attendant wigs are all stuck in a fog-bank! This is the Court of Chancery; which has its decaying houses and its blighted lands in every shire; which has its worn-out lunatic in every madhouse, and its dead in every churchyard; which has its ruined suitor, with his slipshod heels and threadbare dress, borrowing and begging through the round of every man's acquaintance; which gives to monied might the means abundantly of wearying out the right; which so exhausts finances, patience, courage, hope; so overthrows the brain and breaks the heart; that there is not an honorable man among its practitioners who would not give-who does not often give-the warning, "Suffer any wrong that can be done you, rather than come here!"
Who happen to be in the Lord Chancellor's court this murky afternoon besides the Lord Chancellor, the counsel in the cause, two or three counsel who are never in any cause, and the well of solicitors before mentioned? There is the registrar below the Judge, in wig and gown; and there are two or three maces, or petty-bags, or privy-purses, or whatever they may be, in legal court suits. These are all yawning; for no crumb of amusement ever falls from Jarndyce and Jarndyce (the cause in hand), which was squeezed dry years upon years ago. The short-hand writers, the reporters of the court, and the reporters of the newspapers, invariably decamp with the rest of the regulars when Jarndyce and Jarndyce comes on. Their places are a blank. Standing on a seat at the side of the hall, the better to peer into the curtained sanctuary, is a little mad old woman in a squeezed bonnet, who is always in court, from its sitting to its rising, and always expecting some incomprehensible judgment to be given in her favor. Some say she really is, or was, a party to a suit; but no one knows for certain, because no one cares. She carries some small litter in a reti-cule which she calls her documents; principally consisting of paper matches and dry lavender. A sallow prisoner has come up, in custody, for the half-dozenth time, to make a personal application "to purge himself of his contempt;" which, being a solitary surviving executor who has fallen into a state of conglomeration about accounts of which it is not pretended that he had ever any knowledge, he is not at all likely ever to do. In the meantime his prospects in life are ended. Another ruined suitor, who periodically appears from Shropshire, and breaks out into efforts to address the Chancellor at the close of the day's business, and who can by no means be made to understand that the Chancellor is legally ignorant of his existence after making it desolate for a quarter of a century, plants himself in a good place and keeps an eye on the Judge, ready to call out "My lord!" in a voice of sonorous complaint, on the instant of his rising. A few lawyers' clerks and others who know this suitor by sight, linger, on the chance of his furnishing some fun, and enlivening the dismal weather a little.
Jarndyce and Jarndyce drones on. This scarecrow of a suit has, in course of time, become so complicated, that no man alive knows what it means. The parties to it understand it least; but it has been observed that no two Chancery lawyers can talk about it for five minutes, without coming to a total disagreement as to all the premises. Innumerable children have been born into the cause; innumerable young people have married into it; innumerable old people have died out of it. Scores of persons have deliriously found themselves made parties in Jarndyce and Jarndyce, without knowing how or why; whole families have inherited legendary hatreds with the suit. The little plaintiff or defendant, who was promised a new rocking-horse when Jarndyce and Jarndyce should be settled, has grown up, possessed himself of a real horse, and trotted away into the other world. Fair wards of court have faded into mothers and grandmothers; a long procession of Chancellors has come in and gone out; the legion of bills in the suit have been transformed into mere bills of mortality; there are not three Jarndyces left upon the earth perhaps, since old Tom Jarndyce in despair blew his brains out at a coffee-house in Chancery-lane; but Jarndyce and Jarndyce still drags its dreary length before the Court, perennially hopeless.
Jarndyce and Jarndyce has passed into a joke. That is the only good that has ever come of it. It has been death to many, but it is a joke in the profession. Every master in Chancery has had a reference out of it. Every Chancellor was "in it," for somebody or other, when he was counsel at the bar. Good things have been said about it by blue-nosed, bulbous-shoed old benchers, in select port-wine committee after dinner in hall. Articled clerks have been in the habit of fleshing their legal wit upon it. The last Lord Chancellor handled it neatly, when, correcting Mr. Blowers the eminent silk gown who said that such a thing might happen when the sky rained potatoes, he observed, "or when we get through Jarndyce and Jarndyce, Mr. Blowers;"-a pleasantry that particularly tickled the maces, bags, and purses.
How many people out of the suit, Jarndyce and Jarndyce has stretched forth its unwholesome hand to spoil and corrupt, would be a very wide question. From the master, upon whose impaling files reams of dusty warrants in Jarndyce and Jarndyce have grimly writhed into many shapes; down to the copying clerk in the Six Clerks' Office, who has copied his tens of thousands of Chancery-folio-pages under that eternal heading; no man's nature has been made the better by it. In trickery, evasion, procrastination, spoliation, botheration, under false pretences of all sorts, there are influences that can never come to good. The very solicitors' boys who have kept the wretched suitors at bay, by protesting time out of mind that Mr. Chizzle, Mizzle, or otherwise, was particularly engaged and had appointments until dinner, may have got an extra moral twist and shuffle into themselves out of Jarndyce and Jarndyce. The receiver in the cause has acquired a goodly sum of money by it, but has acquired too a distrust of his own mother, and a contempt for his own kind. Chizzle, Mizzle, and otherwise, have lapsed into a habit of vaguely promising themselves that they will look into that outstanding little matter, and see what can be done for Drizzle-who was not well used-when Jarndyce and Jarndyce shall be got out of the office. Shirking and sharking, in all their many varieties, have been sown broadcast by the ill-fated cause; and even those who have contemplated its history from the outermost circle of such evil, have been insensibly tempted into a loose way of letting bad things alone to take their own bad course, and a loose belief that if the world go wrong, it was, in some off-hand manner, never meant to go right.
Thus, in the midst of the mud and at the heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.
(Continues...)Excerpted from Bleak House by Charles Dickens, Nicola Bradbury, Terry Eagleton, Hablot K. Brown. Copyright © 2003 Charles Dickens. Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B075ZTMB2D
- Publisher : idb
- Accessibility : Learn more
- Publication date : 30 Sept. 2017
- Edition : Bantam Classic
- Language : English
- File size : 5.2 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 706 pages
- ISBN-13 : 978-3962241230
- Page Flip : Enabled
- Best Sellers Rank: 153 in Classic British & Irish Fiction
- 299 in Classic Historical Fiction
- 312 in Fiction Classics (Books)
- Customer reviews:
About the author

Charles Dickens was born in 1812 near Portsmouth where his father was a clerk in the navy pay office. The family moved to London in 1823, but their fortunes were severely impaired. Dickens was sent to work in a blacking-warehouse when his father was imprisoned for debt. Both experiences deeply affected the future novelist. In 1833 he began contributing stories to newspapers and magazines, and in 1836 started the serial publication of Pickwick Papers. Thereafter, Dickens published his major novels over the course of the next twenty years, from Nicholas Nickleby to Little Dorrit. He also edited the journals Household Words and All the Year Round. Dickens died in June 1870.
Customer reviews
Customer Reviews, including Product Star Ratings, help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonCustomers say
Customers find "Bleak House" to be an absolute masterpiece with wonderful characters that intertwine throughout the narrative, and they appreciate its fascinating record of Victorian social history. The story moves along well, and customers enjoy its humor, with one noting the satirical poking at the law profession. While the writing features magnificent descriptive passages, some find it laborious to read, and customers consider the book rather hard going.
AI-generated from the text of customer reviews
Customers find the book highly readable, describing it as a masterpiece and a typical Dickens read, with one customer noting its glorious paragraphs.
"...The foreword is okay, but a little too academic and there are some appendices given background on the way courts operated in the time and the..." Read more
"...with friendly sized readable print make a large work accessible and easy to read...." Read more
"...some of the most memorable characters in fiction Bleak House is an absolute joy." Read more
"...dialogue on the one hand and the interminable plot and unbelievable Esther on the other...." Read more
Customers enjoy the story quality of the book, appreciating its usual plots and intrigue, with one customer highlighting the fascinating tale about Chancery.
"...However, Dickens is a master storyteller and here he's in complete control of his material, alternating between voice and experience with ease...." Read more
"...into it, and find all the complex pantomime characters, and the intriguing plot, all quite enchanting...." Read more
"...So far the story is wonderful, not finished yet but I'll definitely buy Macmillan Collectors library editions again...." Read more
"...of prose, and wonderful dialogue on the one hand and the interminable plot and unbelievable Esther on the other...." Read more
Customers appreciate the character development in the book, particularly noting how Dickens' characters intertwine throughout the story.
"...a second look I have really got into it, and find all the complex pantomime characters, and the intriguing plot, all quite enchanting...." Read more
"...Beautifully plotted and populated by some of the most memorable characters in fiction Bleak House is an absolute joy." Read more
"...isn’t your cup of tea, I recommend watching the fantastic BBC adaptation starring Gillian Anderson or listening to Miriam Margolyes’s excellent..." Read more
"...His ability to draw characters and develop sub plots is demonstrated to its maximum. You have to concentrate quite hard (at least I do!)..." Read more
Customers enjoy the book's humor, describing it as a comedic farce that brings genuine laughter, with one customer highlighting the satirical poking of the law profession.
"...What particularly surprised me was the humour in the text - at times affectionate, at times scathing about Victorian society and poverty and..." Read more
"...he is a terrifically good, perceptive and inventive writer...." Read more
"...is a compromise between the brilliant passages of prose, and wonderful dialogue on the one hand and the interminable plot and unbelievable Esther on..." Read more
"...for though he uses everyday words it is the order and punctuation that is so satisfying...." Read more
Customers appreciate the pacing of the book, describing it as a sad tale with incredible emotional moments, and one customer notes how it moves from angelic to downright nasty.
"...There was also none of the mawkishness that I tend to associate with Dickens work - there's affection for characters like the unfortunate Jo who is..." Read more
"...The characters moved me so much that I sobbed twice while reading...." Read more
"Don't let the title put you off! This is a wonderfully funny and sad tale with all Dickens' characters intertwining and affecting each other for..." Read more
"...It faces sociaL issues: illegitemacy, poverty, legal corruption, head-on, and parts of it should be required reading for members of the current..." Read more
Customers find the book fascinating, with one noting how it captures the essence of the Victorian era, while others describe it as completely enthralled throughout.
"...the complex pantomime characters, and the intriguing plot, all quite enchanting...." Read more
"...he more than makes up for in sheer charisma and flamboyance...." Read more
"...background information about the author's life, the historical context of the novel, and explanations of obscure terms or references, enhancing the..." Read more
"I read this book a few years back on paper and was completely enthralled throughout...." Read more
Customers have mixed opinions about the writing quality of the book, with some praising its magnificent descriptive passages and beautiful descriptions, while others find it laborious to read and unreadable.
"...even while being occasionally savage, often contain an unexpected beauty: Chesney Wold, with its endless line of dreary portraits on the walls, its..." Read more
"...1000 pages long, that means investing a lot of time and it's not easy to follow if you're reading it in short bursts...." Read more
"The three star rating is a compromise between the brilliant passages of prose, and wonderful dialogue on the one hand and the interminable plot and..." Read more
"The first time I looked at it I found it unreadable, as Dickens droned on and on about The Court of Chancery, complaining about how it was then,..." Read more
Customers find the book difficult to read, with multiple reviews noting the twists and turns make it hard to follow.
"Studied this for my degree. Hard going at times but well worth persevering to read." Read more
"...One either loves Dickens or doesn't. It is hard to get into at the beginning and from one paragraph to the next you think you are reading a..." Read more
"...of eccentric characters and nearly 800 pages of text it is rather hard going. I think that it can only read a little at a time...." Read more
"...with the E-book version so just go for it as it is free and dip into Dickens world." Read more
Reviews with images

Lovely edition spoiled by the suppliers sticky label
Top reviews from United Kingdom
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United Kingdom on 12 April 2025The size and weight of the book along with friendly sized readable print make a large work accessible and easy to read. So far the story is wonderful, not finished yet but I'll definitely buy Macmillan Collectors library editions again. Absolute bargain priced quality edition.
- Reviewed in the United Kingdom on 25 November 2024Bleak House tells the complex story of a notorious lawsuit set in 19th-century London, where fog symbolizes the corruption of the legal system. If you enjoy Dickens, this novel is a must-read. However, if his writing style isn’t your cup of tea, I recommend watching the fantastic BBC adaptation starring Gillian Anderson or listening to Miriam Margolyes’s excellent audiobook.
I love the story and have watched the series multiple times. The characters moved me so much that I sobbed twice while reading. Dickens’s real power lies in his ability to illuminate the plight of children during his time, depicting their struggles in a way that stirred public empathy.
The downside of Bleak House is Dickens's purple prose, which often makes me drowsy. If I ever reread it, I'd likely skip those verbose sections, similar to avoiding cringe-worthy moments in romance novels.
- Reviewed in the United Kingdom on 24 November 2009Charles Dickens is not an author for everyone. The cloying sentimentality; the often self-indulgent comic asides and the sometimes interminable descriptions can all count against him but, when he is at the top of his game (and I would argue that Bleak House is comfortably amongst the best books that Dickens ever wrote) he is a terrifically good, perceptive and inventive writer. In Bleak House Dickens takes aim at the law, represented by the interminably foggy goings on in the case of Jarndyce and Jarndyce; the aristocracy represented by the dead world of Chesney Wold, home of Sir Leicester Dedlock - a dinosaur of the old order; telescopic philanthropy in which the poor at home are left to die while half-baked schemes are formed to help those abroad and, in his depiction of Lady Dedlock, the way Victorian morality, the aristocracy and the strain of living your life very much in the public eye can bring a proud and beautiful woman to a ruinous end.
Bleak House is an absolute joy to read. The descriptions even while being occasionally savage, often contain an unexpected beauty: Chesney Wold, with its endless line of dreary portraits on the walls, its endlessly wet grounds and its dead grey air is rendered with an almost painterly skill. Dickens doesn't just describe these things, he shows them to you and while showing you Chesney Wold in all its moribund greyness he simultaneously makes the point that the aristocracy, too, is dessicated and grey. The characters in Dickens are always terrific, especially the villains. While Esther Summerson and Allan Woodcourt may be too relentlessly 'good' for a modern audience the villains are quite beautiful in their grotesqueness: Tulkinghorn the lawyer stalking his prey like some sort of large crow; Krook, always furtive, always sly and always drinking, and the Smallweed family with their withered faces and shrunken limbs are all fantastically awful.
There are very few authors who simultaneously manage to make perceptive statements about the times in which they live while remaining fun to read. Dickens is one of them. He'll tell you what it was like to live in Victorian Britain no matter what class you came from - no one could be further down the social ladder than Jo, the crossing sweeper, while few are more highly placed than the aristocratic Dedlocks -and he'll make you laugh and make you cry while he does it. What he may lack in technique (although Bleak House with its double narrative is highly polished) he more than makes up for in sheer charisma and flamboyance. Beautifully plotted and populated by some of the most memorable characters in fiction Bleak House is an absolute joy.
- Reviewed in the United Kingdom on 9 March 2025Excellent transaction!!!
- Reviewed in the United Kingdom on 14 November 2019Bleak House was one of the books we studied for English A Level so, 40 years later, I thought it would be good to read it again. Well, let's just say that it's taken an awful long time to get through it. The book is set in fog and the plot is permanently bogged down in a way that is meant to represent the endlessly impenetrable workings of the Court of Chancery in the case of Jarndyce vs Jarndyce. The last quarter of the book is livened up by the introduction of Inspector Bucket, in what is arguably the earliest example of a Dective Story in English Literature (as I seem to remember from my A Level notes). But a rattling good yarn (like Nicholas Nickelby or A Tale of Two Cities) it ain't, and the cast of characters is so long and bewildering that it was almost impossible to remember where and when they had been previously encountered in the story - never mind being able to follow the plot. However, let's just say that it was absorbing (of time as much as anything) and provided a feast of Charles Dickens - for anyone who likes that sort of thing.
Top reviews from other countries
- LindaReviewed in Sweden on 21 December 2022
5.0 out of 5 stars Beautiful book
Very beautiful copy. Will be a treat to read
- SaptadwipReviewed in India on 4 March 2023
5.0 out of 5 stars Very good book
The book was very good 👍
- JessReviewed in Australia on 2 November 2016
5.0 out of 5 stars The Best
Possibly my favourite Dickens novel. This one explores many, many themes which are still relevant today. It's a dark, complex tale which will have you raging on behalf on your favourite characters whilst laughing at a solid supporting cast.
- H. PotterReviewed in Canada on 8 December 2022
5.0 out of 5 stars Barbara Hardy's introduction is worth it
Barbara Hardy's introduction makes the Everyman's library edition the one to get, in my opinion. Clearly a very insightful and eloquent critic. If I were to buy a second copy, I'd get the Oxford World Classics, but the font is too small, so I'd get that on the kindle.
As always with Everyman's library, it's a beautiful book, and a pleasure to read. Font could be bigger, but it's readable enough as is.
I won't review the novel itself, if you are interested in reading Dickens or similar classics, the only real question is which edition.
- NeMCReviewed in Italy on 30 October 2020
3.0 out of 5 stars The illustrations are too dark
These comments concern the illustrations in this Oxford edition not the novel itself.
In this edition, in comparison to a previous edition I own, the figures which are predominantly dark are too dark. For example, the frontispiece shown above is basically a tree and blackness where you should be able to see a mansion in the background. You can hardly see the dilapidated houses in the illustration called Tom-all--alone's, and you can just barely make out the lonely figure in the illustration of the same name. The Mausoleum at Chesney Wold is reduced to a black triangle and the illustration called Night depicts a very dark night indeed.
I don't know whether my copy is an exception, but considering how important the illustrations of Dickens' novels are to the overall pleasure in reading them, it is a shame if they are spoilt by a bad printing.
NeMCThe illustrations are too dark
Reviewed in Italy on 30 October 2020
In this edition, in comparison to a previous edition I own, the figures which are predominantly dark are too dark. For example, the frontispiece shown above is basically a tree and blackness where you should be able to see a mansion in the background. You can hardly see the dilapidated houses in the illustration called Tom-all--alone's, and you can just barely make out the lonely figure in the illustration of the same name. The Mausoleum at Chesney Wold is reduced to a black triangle and the illustration called Night depicts a very dark night indeed.
I don't know whether my copy is an exception, but considering how important the illustrations of Dickens' novels are to the overall pleasure in reading them, it is a shame if they are spoilt by a bad printing.
Images in this review