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A Conjuring of Light (A Darker Shade of Magic) Kindle Edition
- LanguageEnglish
- PublisherTitan Books
- Publication date21 Feb. 2017
- File size2.6 MB
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Review
"Flawless...the bittersweet conclusion is a fitting one for a...series that redefines epic." --Publishers Weekly, starred review, on A Conjuring of Light
"Desperate gambits, magical battles, and meaningful sacrifice make this a thrilling read." --Kirkus Reviews, starred review, on A Conjuring of Light
"Filled with incident and emotion, with difficulty and heartbreak and anger. Subversive." --NPR on A Gathering of Shadows
"Schwab has given us a gem of a tale." --Deborah Harkness, New York Times bestselling author of The All Souls trilogy, on A Darker Shade of Magic
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
A Conjuring of Light
By V.E. SchwabTom Doherty Associates
Copyright © 2017 Victoria SchwabAll rights reserved.
ISBN: 978-0-7653-8746-2
Contents
Title Page,Copyright Notice,
Dedication,
Epigraph,
One: World in Ruin,
Two: City in Shadow,
Three: Fall or Fight,
Four: Weapons at Hand,
Five: Ash and Atonement,
Six: Execution,
Seven: Setting Sail,
Eight: Uncharted Waters,
Nine: Trouble,
Ten: Blood and Binding,
Eleven: Death At Sea,
Twelve: Betrayal,
Thirteen: A King's Place,
Fourteen: Antari,
Fifteen: Anoshe,
Tor Books by V.E. Schwab,
About the Author,
Copyright,
CHAPTER 1
Delilah Bard — always a thief, recently a magician, and one day, hopefully, a pirate — was running as fast as she could.
Hold on, Kell, she thought as she sprinted through the streets of Red London, still clutching the shard of stone that had once been part of Astrid Dane's mouth. A token stolen in another life, when magic and the idea of multiple worlds were new to her. When she had only just discovered that people could be possessed, or bound like rope, or turned to stone.
Fireworks thundered in the distance, met by cheers and chants and music, all the sounds of a city celebrating the end of the Essen Tasch, the tournament of magic. A city oblivious to the horror happening at its heart. And back at the palace, the prince of Arnes — Rhy — was dying, which meant that somewhere, a world away, so was Kell.
Kell. The name rang through her with all the force of an order, a plea.
Lila reached the road she was looking for and staggered to a stop, knife already out, blade pressing to the flesh of her hand. Her heart pounded as she turned her back on the chaos and pressed her bleeding palm — and the stone still curled within it — to the nearest wall.
Twice before Lila had made this journey, but always as a passenger.
Always using Kell's magic.
Never her own.
And never alone.
But there was no time to think, no time to be afraid, and certainly no time to wait.
Chest heaving and pulse high, Lila swallowed and said the words, as boldly as she could. Words that belonged only on the lips of a blood magician. An Antari. Like Holland. Like Kell.
"As Travars."
The magic sang up her arm, and through her chest, and then the city lurched around her, gravity twisting as the world gave way.
Lila thought it would be easy or, at least, simple.
Something you either survived, or did not.
She was wrong.
CHAPTER 2A world away, Holland was drowning.
He fought to the surface of his own mind, only to be forced back down into the dark water by a will as strong as iron. He fought, and clawed, and gasped for air, strength leaching out with every violent thrash, every desperate struggle. It was worse than dying, because dying gave way to death, and this did not.
There was no light. No air. No strength. It had all been taken, severed, leaving only darkness and, somewhere beyond the crush, a voice shouting his name.
Kell's voice —
Too far away.
Holland's grip faltered, slipped, and he was sinking again.
All he had ever wanted was to bring the magic back — to see his world spared from its slow, inexorable death — a death caused first by the fear of another London, and then by the fear of his own.
All Holland wanted was to see his world restored.
Revived.
He knew the legends — the dreams — of a magician powerful enough to do it. Strong enough to breathe air back into its starved lungs, to quicken its dying heart.
For as long as Holland could remember, that was all he'd wanted.
And for as long as Holland could remember, he had wanted the magician to be him.
Even before the darkness bloomed across his eye, branding him with the mark of power, he'd wanted it to be him. He'd stood on the banks of the Sijlt as a child, skating stones across the frozen surface, imagining that he would be the one to crack the ice. Stood in the Silver Wood as a grown man, praying for the strength to protect his home. He'd never wanted to be king, though in the stories the magician always was. He didn't want to rule the world. He only wanted to save it.
Athos Dane had called this arrogance, that first night, when Holland was dragged, bleeding and half conscious, into the new king's chambers. Arrogance and pride, he'd chided, as he carved his curse into Holland's skin.
Things to be broken.
And Athos had. He'd broken Holland one bone, one day, one order at a time. Until all Holland wanted, more than the ability to save his world, more than the strength to bring the magic back, more than anything, was for it to end.
It was cowardice, he knew, but cowardice came so much easier than hope.
And in that moment by the bridge, when Holland lowered his guard and let the spoiled princeling Kell drive the metal bar through his chest, the first thing he felt — the first and last and only thing he felt — was relief.
That it was finally over.
Only it wasn't.
It is a hard thing, to kill an Antari.
When Holland woke, lying in a dead garden, in a dead city, in a dead world, the first thing he felt then was pain. The second thing was freedom. Athos Dane's hold was gone, and Holland was alive — broken, but alive.
And stranded.
Trapped in a wounded body in a world with no door at the mercy of another king. But this time, he had a choice.
A chance to set things right.
He'd stood, half dead, before the onyx throne, and spoken to the king carved in stone, and traded freedom for a chance to save his London, to see it bloom again. Holland made the deal, paid with his own body and soul. And with the shadow king's power, he had finally brought the magic back, seen his world bloom into color, his people's hope revived, his city restored.
He'd done everything he could, given up everything he had, to keep it safe.
But it still was not enough.
Not for the shadow king, who always wanted more, who grew stronger every day and craved chaos, magic in its truest form, power without control.
Holland was losing hold of the monster in his skin.
And so he'd done the only thing he could.
He'd offered Osaron another vessel.
"Very well ..." said the king, the demon, the god. "But if they cannot be persuaded, I will keep your body as my own."
And Holland agreed — how could he not?
Anything for London.
And Kell — spoiled, childish, headstrong Kell, broken and powerless and snared by that damned collar — had still refused.
Of course he had refused.
Of course —
The shadow king had smiled then, with Holland's own mouth, and he had fought, with everything he could summon, but a deal was a deal and the deal was done and he felt Osaron surge up — that single, violent motion — and Holland was shoved down, into the dark depths of his own mind, forced under by the current of the shadow king's will.
Helpless, trapped within a body, within a deal, unable to do anything but watch, and feel, and drown.
"Holland!"
Kell's voice cracked as he strained his broken body against the frame, the way Holland had once, when Athos Dane first bound him. Broke him. The cage leached away most of Kell's power; the collar around his throat cut off the rest. There was a terror in Kell's eyes, a desperation that surprised him.
"Holland, you bastard, fight back!"
He tried, but his body was no longer his, and his mind, his tired mind, was sinking down, down —
Give in, said the shadow king.
"Show me you're not weak!" Kell's voice pushed through. "Prove you're not still a slave to someone else's will!"
You cannot fight me.
"Did you really come all the way back to lose like this?"
I've already won.
"Holland!"
Holland hated Kell, and in that moment, the hatred was almost enough to drive him up, but even if he wanted to rise to the other Antari's bait, Osaron was unyielding.
Holland heard his own voice, then, but of course it wasn't his. A twisted imitation by the monster wearing his skin. In Holland's hand, a crimson coin, a token to another London, Kell's London, and Kell was swearing and throwing himself against his bonds until his chest heaved and his wrists were bloody.
Useless.
It was all useless.
Once again he was a prisoner in his own body. Kell's voice echoed through the dark.
You've just traded one master for another.
They were moving now, Osaron guiding Holland's body. The door closed behind them, but Kell's screams still hurled themselves against the wood, shattering into broken syllables and strangled cries.
Ojka stood in the hall, sharpening her knives. She looked up, revealing the crescent scar on one cheek, and her two-toned eyes, one yellow, the other black. An Antari forged by their hands — by their mercy.
"Your Majesty," she said, straightening.
Holland tried to rise up, tried to force his voice across their — his — lips, but when speech came, the words were Osaron's.
"Guard the door. Let no one pass."
A flicker of a smile across the red slash of Ojka's mouth. "As you wish."
The palace passed in a blur, and then they were outside, passing the statues of the Dane twins at the base of the stairs, moving swiftly beneath a bruised sky through a garden now flanked by trees instead of bodies.
What would become of it, without Osaron, without him? Would the city continue to flourish? Or would it collapse, like a body stripped of life?
Please, he begged silently. This world needs me.
"There is no point," said Osaron aloud, and Holland felt sick to be the thought in their head instead of the word. "It is already dead," continued the king. "We will start over. We will find a world worthy of our strength."
They reached the garden wall and Osaron drew a dagger from the sheath at their waist. The bite of steel on flesh was nothing, as if Holland had been cut off from his very senses, buried too deep to feel anything but Osaron's grip. But as the shadow king's fingers streaked through the blood and lifted Kell's coin to the wall, Holland struggled up one last time.
He couldn't win back his body — not yet — not all of it — but perhaps he didn't need everything.
One hand. Five fingers.
He threw every ounce of strength, every shred of will, into that one limb, and halfway to the wall, it stopped, hovering in the air.
Blood trickled down his wrist. Holland knew the words to break a body, to turn it to ice, or ash, or stone.
All he had to do was guide his hand to his own chest.
All he had to do was shape the magic —
Holland could feel the annoyance ripple through Osaron. Annoyance, but not rage, as if this last stand, this great protest, was nothing but an itch.
How tedious.
Holland kept fighting, even managed to guide his hand an inch, two.
Let go, Holland, warned the creature in his head.
Holland forced the last of his will into his hand, dragging it another inch.
Osaron sighed.
It did not have to be this way.
Osaron's will hit him like a wall. His body didn't move, but his mind slammed backward, pinned beneath a crushing pain. Not the pain he'd felt a hundred times, the kind he'd learned to exist beyond, outside, the kind he might escape. This pain was rooted in his very core. It lit him up, sudden and bright, every nerve burning with such searing heat that he screamed and screamed and screamed inside his head, until the darkness finally — mercifully — closed over him, forcing him under and down.
And this time, Holland didn't try to surface.
This time, he let himself drown.
CHAPTER 3Kell kept throwing himself against the metal cage long after the door slammed shut and the bolt slid home. His voice still echoed against the pale stone walls. He had screamed himself hoarse. But still, no one came. Fear pounded through him, but what scared Kell most was the loosening in his chest — the unhinging of a vital link, the spreading sense of loss.
He could hardly feel his brother's pulse.
Could hardly feel anything but the pain in his wrists and a horrible numbing cold. He twisted against the metal frame, fighting the restraints, but they held fast. Spell work was scrawled down the sides of the contraption, and despite the quantity of Kell's blood smeared on the steel, there was the collar circling his throat, cutting off everything he needed. Everything he had. Everything he was. The collar cast a shadow over his mind, an icy film over his thoughts, cold dread and sorrow and, through it all, an absence of hope. Of strength. Give up, it whispered through his blood. You have nothing. You are nothing. Powerless.
He'd never been powerless.
He didn't know how to be powerless.
Panic rose in place of magic.
He had to get out.
Out of this cage.
Out of this collar.
Out of this world.
Rhy had carved a word into his own skin to bring Kell home, and he'd turned around and left again. Abandoned the prince, the crown, the city. Followed a woman in white through a door in the world because she told him he was needed, told him he could help, told him it was his fault, that he had to make it right.
Kell's heart faltered in his chest.
No — not his heart. Rhy's. A life bound to his with magic he no longer had. The panic flared again, a breath of heat against the numbing cold, and Kell clung to it, pushing back against the collar's hollow dread. He straightened in the frame, clenched his teeth and pulled against his cuffs until he felt the crack of bone inside his wrist, the tear of flesh. Blood fell in thick red drops to the stone floor, vibrant but useless. He bit back a scream as metal dragged over — and into — skin. Pain knifed up his arm, but he kept pulling, metal scraping muscle and then bone before his right hand finally came free.
Kell slumped back with a gasp and tried to wrap his bloody, limp fingers around the collar, but the moment they touched the metal, a horrible pins-and- needles cold seared up his arm, swam in his head.
"As Steno," he pleaded. Break.
Nothing happened.
No power rose to meet the word.
Kell let out a sob and sagged against the frame. The room tilted and tunneled, and he felt his mind sliding toward darkness, but he forced his body to stay upright, forced himself to swallow the bile rising in his throat. He curled his skinned and splintered hand around his still-trapped arm, and began to pull.
It was minutes — but it felt like hours, years — before Kell finally tore himself free.
He stumbled forward out of the frame, and swayed on his feet. The metal cuffs had cut deep into his wrists — too deep — and the pale stone beneath his feet was slick with red.
Is this yours? whispered a voice.
A memory of Rhy's young face twisted in horror at the sight of Kell's ruined forearms, the blood streaked across the prince's chest. Is this all yours?
Now the collar dripped red as Kell frantically pulled on the metal. His fingers ached with cold as he found the clasp and clawed at it, but still it held. His focus blurred. He slipped in his own blood and went down, catching himself with broken hands. Kell cried out, curling in on himself even as he screamed at his body to rise.
He had to get up.
He had to get back to Red London.
He had to stop Holland — stop Osaron.
He had to save Rhy.
He had to, he had to, he had to — but in that moment, all Kell could do was lie on the cold marble, warmth spreading in a thin red pool around him.
CHAPTER 4The prince collapsed back against the bed, soaked through with sweat, choking on the metal taste of blood. Voices rose and fell around him, the room a blur of shadows, shards of light. A scream tore through his head, but his own jaw locked in pain. Pain that was and wasn't his.
Kell.
Rhy doubled over, coughing up blood and bile.
He tried to rise — he had to get up, had to find his brother — but hands surged from the darkness, fought him, held him down against silk sheets, fingers digging into shoulders and wrists and knees, and the pain was there again, vicious and jagged, peeling back flesh, dragging its nails over bone. Rhy tried to remember. Kell — arrested. His cell — empty. Searching the sun- dappled orchard. Calling his brother's name. Then, out of nowhere, pain, sliding between his ribs, just as it had that night, a horrible, severing thing, and he couldn't breathe.
He couldn't —
"Don't let go," said a voice.
"Stay with me."
"Stay ..."
(Continues...)Excerpted from A Conjuring of Light by V.E. Schwab. Copyright © 2017 Victoria Schwab. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B01N9Q9PJA
- Publisher : Titan Books
- Accessibility : Learn more
- Publication date : 21 Feb. 2017
- Language : English
- File size : 2.6 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 642 pages
- ISBN-13 : 978-1785652455
- Page Flip : Enabled
- Book 3 of 3 : Shades of Magic
- Best Sellers Rank: 39,141 in Kindle Store (See Top 100 in Kindle Store)
- 1,701 in Contemporary Fantasy (Kindle Store)
- 2,145 in Fantasy (Books)
- 22,236 in Whispersync for Voice
- Customer reviews:
About the authors
VICTORIA “V. E.” SCHWAB is the #1 New York Times bestselling author of more than twenty books, including the acclaimed Shades of Magic series, the Villains series, the Cassidy Blake series and the international bestseller The Invisible Life of Addie LaRue. Her work has received critical acclaim, translated into over two dozen languages, and optioned for television and film. First Kill – a YA vampire series based on Schwab’s short story of the same name – is currently in the works at Netflix with Emma Roberts’ Belletrist Productions producing. When she's not haunting Paris streets or trudging up English hillsides, she lives in Edinburgh, Scotland, and is usually tucked in the corner of a coffee shop, dreaming up monsters.
Victoria "V.E." Schwab is the #1 New York Times bestselling author of more than a dozen books, including the acclaimed Shades of Magic series, This Savage Song, Our Dark Duet, City of Ghosts and Vicious. Her work has received critical acclaim, has been featured in the New York Times, Entertainment Weekly, Washington Post, and more, has been translated into more than a dozen languages, and has been optioned for television and film. When she's not haunting Paris streets or trudging up English hillsides, she lives in Nashville and is usually tucked in the corner of a coffee shop, dreaming up monsters.
Customer reviews
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Customers find this book to be an amazing end to the trilogy, with well-developed characters and a unique magic system that's full of twists. The writing is praised as fantasy writing at its best, and customers particularly enjoy the fight scenes that are beyond epic. They appreciate the book's humor, describing it as an exquisite agonising joy to read. The pacing receives mixed reactions, with some customers finding it appropriate while others express mixed feelings.
AI-generated from the text of customer reviews
Customers praise the ending of the trilogy, describing it as an amazing and beautiful conclusion to the series.
"...I have to admit that A Conjuring of Light was the best book of the trilogy, and if you think I cried for like 30 minutes straight after finishing it..." Read more
"...Its not a bad book or story, it just goes on a little longer than expected in places...." Read more
"A wonderful ending to a wonderful trilogy. Often it takes a chapter or so to get back into a world ... here it took about a sentence. &#..." Read more
"...This book is not one of these. It is a majestic and accomplished novel which absolutely makes this series...." Read more
Customers love the characters in the book, appreciating the new ones introduced, with one customer noting the excellent banter between them and another mentioning how they feel like family.
"...Kell has been the same selfless and kind character throughout the series, and what I loved the most about him in this book was his relationship with..." Read more
"...The character development really comes out and there are some moments of genuine pulling on the heart strings...." Read more
"...As always the writing is beautiful, and quotable. The characters are compellingly complex, flawed and still likeable..." Read more
"...We also watch the characters grow and change which is a delight especially as they begin to understand each other better...." Read more
Customers enjoy the book's magic content, describing it as a bold and addictive romp that is utterly jam-packed with twists.
"...The imagination is still there and the writing excellent, you can't fault it on consistency at all." Read more
"...The plotting is complex, and a lot of backstory, previously hinted at, is revealed to great effect...." Read more
"...There is magic at a different level, love, hate, violence, treachery and betrayal...." Read more
"...aspects that I’ve previously adored – the characters, the danger, the magic, the worlds – whilst remedying my one disappointment with the first book..." Read more
Customers praise the writing quality of the book, describing it as fantasy writing at its best, with one customer noting how the author makes the alternative reality very believable.
"...I already did, made me see how precious he is and how caring and thoughtful; just what Rhy deserves, and that's why that ending broke me in the best..." Read more
"...The imagination is still there and the writing excellent, you can't fault it on consistency at all." Read more
"...As always the writing is beautiful, and quotable...." Read more
"...The worldbuilding works and the author makes her alternative reality very believable. An excellent read" Read more
Customers enjoy the book's action content, praising its well-plotted fight scenes that are beyond epic.
"...It's one of the most beautiful relationships between brothers that I've ever read about, and even if they're literally bound in life and in death,..." Read more
"...Lots of action, draw out in a few too many places it has to be honest. I think there was allot of cramming everything into this last book...." Read more
"...The plotting is complex, and a lot of backstory, previously hinted at, is revealed to great effect...." Read more
"...This book is not one of these. It is a majestic and accomplished novel which absolutely makes this series...." Read more
Customers enjoy the book's humor, finding it an exquisite and agonizing joy to read, with one customer noting it provides a wonderful escape from dull moments.
"...development really comes out and there are some moments of genuine pulling on the heart strings...." Read more
"...The characters are compellingly complex, flawed and still likeable (though they may not like each other), and always developing...." Read more
"...It is original and full of humour. The worldbuilding works and the author makes her alternative reality very believable. An excellent read" Read more
"...The characters bewitched, chilled and moved me. The plot went places that left me caught utterly off guard...." Read more
Customers like the pace of the book, with one noting it never misses a beat.
"...You hit the ground running and the pace just accelerates. There is magic at a different level, love, hate, violence, treachery and betrayal...." Read more
"...The plot is fun to read, the pace is alright, many fight scene and I truly like the mysterious port that the author was able to explore albeit a..." Read more
"...Also when this device is used 3-4 times per page, it becomes very much very quickly...." Read more
"...follows on from the intense ending of A Gathering of Shadows, never missing a beat...." Read more
Customers have mixed opinions about the pacing of the book, with some appreciating that the characters remain alive throughout, while others find it tragic.
"...Long live the Maresh and thanks for not making Rhy lost Alucard. Anoshe..." Read more
"...The last scene is them leaving, and it was perfect and perfectly devastating...." Read more
"...It was impossible to put down, beautiful, tragic, dark and divine. The characters bewitched, chilled and moved me...." Read more
"...not when it exploded into chaos, and the furniture shook, and the windows cracked, and the guards had to force Alucard Emery from the bed, and Maxim..." Read more
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Astounding, as always
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 9 March 2017So I'm sitting here, with my tea and with my tears, and this book is just repeating itself in my mind as it has been doing since I finished it yesterday. Just all the scenes, especially the ending, over and over again. The Shades of Magic series is definitely, without a doubt, one of my top three favorite series ever, and I have trouble believing that it's over. I have to admit that A Conjuring of Light was the best book of the trilogy, and if you think I cried for like 30 minutes straight after finishing it you are wrong. (you're not).
“Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.”
(prepare for minor spoilers)
Once again, Victoria's writing made me highlight about a hundred different sentences from the iBook, because it is just too good. This woman was put on this earth to write stories and create characters, and I would honestly read anything by her. I definitely recommend you read her books if you haven't already.
What I personally love the most about this series, and this book in particular, are its characters.
Alucard and Rhy are, without exaggeration, probably two of my all-time favorite characters I've read about, so every scene they're in is just a blessing. In this book, we saw Rhy grow so much. I'd say he's the one that had the greatest character evolution through the series, and I just feel like a proud mother. I felt so bad for everything he went through in ACOL, everything he lost, both literally and figuratively, and I kept worrying for his life during all almost-700-pages. I never signed up for this. However, I was perfectly happy at the end, and I probably wouldn't have wanted it any other way. He'll be a great king, especially with Alucard at his side.
"I told you to keep him safe, not cuddle." Alucard spread his hands behind him on the sheets. "I'm more than capable of multitasking."
Alucard. A Conjuring of Light made me love him even more than I already did, made me see how precious he is and how caring and thoughtful; just what Rhy deserves, and that's why that ending broke me in the best way possible. It was a complete RHY DID THAT moment, and it made me happier than probably anything else in the book:
"My brother wishes to travel, and I have granted him permission." Kell's expression soured at the word, but he did not interrupt. "As such," continued Rhy, "I require an ally. A proven friend. A powerful magician. I require you here in London, Master Emery. With me."
I could keep quoting, until he says "And I will not suffer losing you", but I think you get the point. Alucard. Rhy. I'm very happy.
Another character that positively surprised me, was Holland. I must admit I really didn't know how to feel about him in the first two books. But now, oh my god. Holland saved the world, saved every character's life like ten times throughout ACOL, and managed to show a side of himself that I'd never noticed before. I ended up liking him as much as I like Kell, and the last chapter from his point of view broke me, this time not in a positive way. It was all too much, but I'm glad he got what he wanted, peacefully, in White London.
Kell and Lila, who we've been with since the start, got even better in the last book, both individually and as a couple. Kell has been the same selfless and kind character throughout the series, and what I loved the most about him in this book was his relationship with Rhy, that became even stronger than before. It's one of the most beautiful relationships between brothers that I've ever read about, and even if they're literally bound in life and in death, they're always really close to each other's heart.
Then we have Lila, now an Antari and a captain (!!!), who remained the badass, powerful and carefree heroine she was, and she stopped running. Instead, we find her running with Kell at the end, which was so beautiful because they both have the same desire to travel, to live and to see everything. I don't know where they're going next, but I know it's going to be great. The last scene is them leaving, and it was perfect and perfectly devastating. It was the ending we deserved, but I wasn't ready for an ending, and then Kell and Rhy wave to each other and I start crying? Again, I never signed up for this. Too painful.
If you haven't read this series, I really, wholeheartedly recommend you do so. Even if you're not into fantasy, you'll probably be into this. Even finishing this review hurts me, but the thought of the movie adaptation coming out just makes it a little better. So thank you, Victoria, for creating the most wonderful world and characters, and since I refuse to say goodbye, I'll simply say Anoshe.
So I'm sitting here, with my tea and with my tears, and this book is just repeating itself in my mind as it has been doing since I finished it yesterday. Just all the scenes, especially the ending, over and over again. The Shades of Magic series is definitely, without a doubt, one of my top three favorite series ever, and I have trouble believing that it's over. I have to admit that A Conjuring of Light was the best book of the trilogy, and if you think I cried for like 30 minutes straight after finishing it you are wrong. (you're not).
“Love and loss,” he said, “are like a ship and the sea. They rise together. The more we love, the more we have to lose. But the only way to avoid loss is to avoid love. And what a sad world that would be.”
(prepare for minor spoilers)
Once again, Victoria's writing made me highlight about a hundred different sentences from the iBook, because it is just too good. This woman was put on this earth to write stories and create characters, and I would honestly read anything by her. I definitely recommend you read her books if you haven't already.
What I personally love the most about this series, and this book in particular, are its characters.
Alucard and Rhy are, without exaggeration, probably two of my all-time favorite characters I've read about, so every scene they're in is just a blessing. In this book, we saw Rhy grow so much. I'd say he's the one that had the greatest character evolution through the series, and I just feel like a proud mother. I felt so bad for everything he went through in ACOL, everything he lost, both literally and figuratively, and I kept worrying for his life during all almost-700-pages. I never signed up for this. However, I was perfectly happy at the end, and I probably wouldn't have wanted it any other way. He'll be a great king, especially with Alucard at his side.
"I told you to keep him safe, not cuddle." Alucard spread his hands behind him on the sheets. "I'm more than capable of multitasking."
Alucard. A Conjuring of Light made me love him even more than I already did, made me see how precious he is and how caring and thoughtful; just what Rhy deserves, and that's why that ending broke me in the best way possible. It was a complete RHY DID THAT moment, and it made me happier than probably anything else in the book:
"My brother wishes to travel, and I have granted him permission." Kell's expression soured at the word, but he did not interrupt. "As such," continued Rhy, "I require an ally. A proven friend. A powerful magician. I require you here in London, Master Emery. With me."
I could keep quoting, until he says "And I will not suffer losing you", but I think you get the point. Alucard. Rhy. I'm very happy.
Another character that positively surprised me, was Holland. I must admit I really didn't know how to feel about him in the first two books. But now, oh my god. Holland saved the world, saved every character's life like ten times throughout ACOL, and managed to show a side of himself that I'd never noticed before. I ended up liking him as much as I like Kell, and the last chapter from his point of view broke me, this time not in a positive way. It was all too much, but I'm glad he got what he wanted, peacefully, in White London.
Kell and Lila, who we've been with since the start, got even better in the last book, both individually and as a couple. Kell has been the same selfless and kind character throughout the series, and what I loved the most about him in this book was his relationship with Rhy, that became even stronger than before. It's one of the most beautiful relationships between brothers that I've ever read about, and even if they're literally bound in life and in death, they're always really close to each other's heart.
Then we have Lila, now an Antari and a captain (!!!), who remained the badass, powerful and carefree heroine she was, and she stopped running. Instead, we find her running with Kell at the end, which was so beautiful because they both have the same desire to travel, to live and to see everything. I don't know where they're going next, but I know it's going to be great. The last scene is them leaving, and it was perfect and perfectly devastating. It was the ending we deserved, but I wasn't ready for an ending, and then Kell and Rhy wave to each other and I start crying? Again, I never signed up for this. Too painful.
If you haven't read this series, I really, wholeheartedly recommend you do so. Even if you're not into fantasy, you'll probably be into this. Even finishing this review hurts me, but the thought of the movie adaptation coming out just makes it a little better. So thank you, Victoria, for creating the most wonderful world and characters, and since I refuse to say goodbye, I'll simply say Anoshe.
Images in this review
- Reviewed in the United Kingdom on 14 October 2018There are good points and bad ones with this book, although you can't miss it out in the Darker Shade trilogy. Lots of action, draw out in a few too many places it has to be honest. I think there was allot of cramming everything into this last book. The character development really comes out and there are some moments of genuine pulling on the heart strings. Its not a bad book or story, it just goes on a little longer than expected in places. The imagination is still there and the writing excellent, you can't fault it on consistency at all.
- Reviewed in the United Kingdom on 23 February 2017A wonderful ending to a wonderful trilogy. Often it takes a chapter or so to get back into a world ... here it took about a sentence. "Delilah Bard - always a their, recently a magician, and one day, hopefully, a pirate - was running as fast as she could." And we're back, and desperate to know what's going to happen to characters that mean so much. It's quite amazing. The tension holds all the way through the book, especially as the body count starts to rise ...
As always the writing is beautiful, and quotable. The characters are compellingly complex, flawed and still likeable (though they may not like each other), and always developing. The plotting is complex, and a lot of backstory, previously hinted at, is revealed to great effect. The world building is amazing: the magic and the settings are fresh, and original, and continually surprising. So all in all, I heartily recommend this book -- but only after you've read A Darker Shade of Magic and A Gathering of Shadows, because there are no concessions to anyone trying to start here. And the books are memorable enough that, if you have read them, none are needed.
- Reviewed in the United Kingdom on 21 August 2018Many fantasy trilogies let you down at the end or come to a spluttering conclusion because the author cannot bring together all the strands they have created. This book is not one of these. It is a majestic and accomplished novel which absolutely makes this series. For that reason I would say that it is pretty pointless to start here - go back to the beginning of the series.
The book features the fight for red London and resolves the relationship issues between Kell, Delilah, Rhy and Alucard. Along the way we learn more about each one of them and begin to understand some of the previous events in the story. We also watch the characters grow and change which is a delight especially as they begin to understand each other better. My particular favourite character has always been Delilah and I really enjoyed how the author slotted her narrative into the overall story without compromising her independence and free spirit. All of the characters are flawed but they all have the opportunity for redemption whether or not they take it.
The book is full of action and enhanced by some excellent banter between characters. It is a not a long book but i felt that the author made it all count.
If you are a fan of fantasy then this is an excellent series. It is original and full of humour. The worldbuilding works and the author makes her alternative reality very believable. An excellent read
Top reviews from other countries
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Robin (Germany)Reviewed in Germany on 22 March 2017
5.0 out of 5 stars Anoshe
Ich bin nicht oft um Worte verlegen, besonders nicht, wenn ich meine Begeisterung mit anderen teilen möchte. Doch so oft ich während des Lesens versucht habe, meine Gefühle in Worte zu fassen, so weiß ich auch jetzt nicht annähernd, wie ich beschrieben soll, wie begeistert ich bin.
Aber ich werde es versuchen.
Die Geschichte von Kell, Holland und Lila geht weiter. In ACOL, dem dritten und letzten Band der ADSOM Reihe, finden all die losen Fäden der Geschichte ihr Ende. Oder zumindest ein Ende. Der Schattenkönig Osaron hat Kells London, das rote London als sein neues Reich auserkoren, und tut alles, um es sich zu eigen zu machen. Es zu regieren, es zu verändern, es zu verbessern. König zu sein. Gott zu sein. Menschen zerfallen zu Asche auf den Straßen, die Isle färbt sich schwarz und im Palast werden Kräfte gesammelt, Pläne geschmiedet, die gleichsam Leben und Tod bringen werden.
Dieses Buch hat alles. Hoffnung, Schmerz, Leid, Verlust, Erlösung, Stolz, Mut, Kraft, Leben und ... Magie. Ich habe selten in einem Buch so gelitten, so jubiliert, so mitgefiebert und mich selbst vergessen. Ich habe geweint, gelacht, den Atem angehalten und zischend ausgestoßen. Ich habe gehasst und habe mich lebendig gefühlt und alles dazwischen. Wir finden fantastische Märkte, neue Abenteuer, magische Artefakte und bezahlte Rechnungen. Dunkle Könige, die glauben Götter zu sein und junge Prinzen, die für ihr Königreich einstehen. Heldenmut, Übermut und Mut. In so vielen Facetten. Eine Geschichte wie ein Märchen, eine dunkle Erzählung und ein schmerzliches Schicksal.
Wo ich in den letzten Bänden teilweise mit der Geschichte zu kämpfen hatte, mich besonders in Band eins noch nicht ganz fallen lassen konnte, hatte ich keine solchen Probleme in diesem Band. Wir folgen Charakteren, die wir kennen oder kannten, die einem ans Herz gewachsen sind und anderen, von denen man vielleicht immer noch nicht wusste, was man von ihnen halten sollte. Das Buch umfasst nur wenige Tage, aber es hätten Jahre sein können, von all der Wandlung in der Aufstellung, in den Gefühlen der Charaktere. Charaktere, die man liebt, sterben. Andere leben. Schwab schreckt nicht vor dem Ende ihrer Charaktere zurück. Sie lässt sie fallen, wie sie gelebt haben. Manchmal langsam, manchmal plötzlich - immer intensiv. Ich habe kaum einen Charaktertod in diesem Buch NICHT beweint.
ACOL dreht sich nicht nur um Osaron (auch wenn er natürlich einen großen Teil der Geschichte bestimmt), wir erfahren auch einige Dinge über die Vergangenheit der Charaktere, wir erfahren mehr über das Königspaar, über die Beziehung zwischen den Königreichen, mehr über die magische Seite der Welt und die Beziehungen, die bereits in den ersten beiden Bänden angedeutet wurde.
Dinge, die in Band eins oder zwei angeschnitten wurden - und manchmal noch unbedeutend schienen - bekommen in diesem Buch ihre Auflösung. So etwas liebe ich! Das Wissen, dass die Autorin schon seit einer langen Zeit geplant hat, wohin die Reise geht. Wir erfahren mehr über Kells Vergangenheit, über Hollands und mehr über Alucard. Wir folgen Lila, die mit allen Veränderungen zurechtkommen muss und sich entscheiden muss, wer sie sein will. Ich habe besonders die Kapitel über König Maxim und Königin Emira geliebt. Magie wird erneut gesponnen, Opfer gebracht und geliebte Menschen und Träume begraben.
ACOL zeigt sich aus der Perspektive vieler Charaktere und präsentiert so eine vielseitige Betrachtung der Handlung. Ich kann nicht sagen, dass ich auch nur eine Perspektive weniger passend, weniger gut geschrieben finde, als jede andere. Jede Seite in diesem Buch hat sich mir spannend gezeigt, hat meine Spannung gehalten, bis hin zum letzten Satz des Buches. Bis hin zum letzten Wort. Verdammt, ich habe so gehofft, dass manche Dinge anders verlaufen wären, habe die Charaktere so geliebt, dass ich, jetzt wo das Buch beendet neben mir liegt, einfach nur noch ... mehr möchte. Ich will ehrlich sein, nicht jedes Ende hat den vollkommenen Abschluss, manche Fragen bleiben auch zum Schluss offen, manche Möglichkeiten, manche Entwicklungen werden nur angedeutet und noch im letzten Abschnitt des Buches liegen so viele Möglichkeiten für neue Geschichten, noch mehr Handlung, noch mehr Anfänge ... Trotzdem bin ich mit dem Ende zufrieden. Es endet, wie eine Geschichte über das Leben enden sollte. Am Ende nur einer einzigen Geschichte und am Anfang von hundert anderen. Mit der letzten Seite eines Kapitels, dem noch so viele weitere folgen werden. Mit ... Möglichkeiten.
FAZIT
Ich habe keine Ahnung, wie ich wirklich beschreiben soll, wie großartig ich dieses Buch - diese Reihe - fand. Vielleicht ... wahrscheinlich sogar ... ist es die beste Fantasyreihe, die ich je gelesen habe. Ja, ich habe noch ein, zwei Fragen, die für mich unzureichend gelöst sind, wo ich gerne mehr Gewissheit gehabt hätte, aber vielleicht habe ich diese schon. Vielleicht ist das genug. Ich habe versucht in Worte zu fassen, wie sehr ich mich in diese Geschichte verliebt habe, egal wie schmerzhaft sie zeitweise war, ich hoffe, es ist mir zum Teil gelungen.
Anoshe (until another day) ist eine Form der Verabschiedung in Kells London. Und das passende Gefühl zum Ende dieser großartigen Reihe. Ich hoffe, wir haben nicht zum letzten Mal von ihnen gehört.
Also ... Anoshe.
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Eryn HaesReviewed in Spain on 17 September 2017
5.0 out of 5 stars Loved it
I really loved this trilogy, the way the characters were developed and also the bittersweet ending. I already miss Kell and Lila...
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LilReviewed in Mexico on 29 November 2018
5.0 out of 5 stars Emocionante final de trilogía.
En general el final me gustó (aunque algunos detalles no tanto). Lo que más amé del libro fueron sus personajes, creo que son el punto fuerte de la novela, ya que realmente te preocupa lo que pueda pasarles y sufres con ellos (y en este libro todos sufren). Sin embargo, el desenlace de ciertos acontecimientos los sentí un poco flojos, creo que de los 3 libros fue el que sentí un poquito más débil en cuanto a la trama. Aunque se puede decir que se resolvió satisfactoriamente el arco principal de la historia, siento que otras cosas quedaron muy abiertas. Aun así, el último capítulo es hermoso, y solo me queda decirle anoshe a la historia y sus personajes (voy a extrañarlos). Ahora buscaré otras novelas de V. E. Schwab, ya que su estilo de escritura es cautivante.
- ChelsceyReviewed in the United States on 20 December 2022
5.0 out of 5 stars Schwab's writing is a delight
It’s taken me longer than anticipated to finish this series mainly because I didn’t really love the second book in Shades of Magic as much as I did the first. Certain main characters in the second book just really got on my nerves, and we’ll leave it at that. So “A Conjuring of Light” sat on my shelves, waiting ever so patiently, for me to stop being petty and just finish the series. The third book picks up immediately after the second book, so if you’re like me and waited a while to return you’re going to need a bit of a refresher and recap before diving in, because the story doesn’t really allow for that right off the bat. But our main characters know from the start (or close to it) just what they face, and what will happen if they don’t deal with this threat, and atone for their own mistakes. Cue redemption arcs for everyone! Sure, some characters are redeemed more than others but I always love a good redemption. I love watching characters face the consequences of previous actions, and I love having those characters grow from the experience and strengthen their own relationships in the process. So, in a nutshell: I thoroughly enjoyed this book, especially compared to “A Gathering of Shadows”.
I love Schwab’s emotive writing, always have, always will, but it is one of those styles that you either love or hate and I get that. I personally tend to love it. Her writing is always emotional without coming across as redundant and I find that to be truly lovely, especially given all the POV characters we get in this book.
We get more backstory of what Holland endured before the Dane’s got to him and I loved seeing the brutality that is White London through his eyes before he became an unwilling puppet to Athos and Astrid. For a character who really messed up in his desire for freedom, these tiny flashback moments really helped to show just how tragic Holland always was and made him facing his consequences all the more impactful. Even Lila deals more with her grief this time and I really enjoyed watching her mature emotionally. She’s always been this “devil be damned” type character, but after my issues with her in book 2, let’s just say she really needed this character growth. Then there is poor Kell and Rhy, ugh, RHY. My heart constantly aches, breaks, patches itself up, and then breaks all over again for these brothers. Schwab has never been kind to them and the things they live through in this book is no different. So be prepared for the emotional rollercoaster this relationship will put you through. We also learn more about King and Queen Maresh and while I loved learning about the king and the sacrifices he made for his people, I can’t say the same thing for the queen… Either way, I can confidently say that this book is the most character driven of the three, which obviously shows in the sheer length of the story.
The plot can be a bit slow at times because of the POV shifts, some of which were not really that necessary, let’s be honest, but I didn’t mind them either. There are still some lingering questions about Kell and Lila’s origins which, now that Schwab has announced more books in this series may actually get answered. I think if I had read this earlier, when that new set of books in this world hadn’t been announced, the open-ended questions about these two main characters would probably bother me more, but such is my faith in Schwab that I trust her to not just leave those things open forever especially given where both Lila and Kell are at the end of this book. Additionally, Osaron didn’t feel as menacing as he was in “A Gathering of Shadows”. There was more tension prior to the final showdown with him then during the actual altercation which has me wondering if Schwab is up to something there was well, but we’ll see!
Was this book perfect? No. Was this series without its flaws? Also no. But does Schwab know how to write an amazing character driven novel full of rich personalities and emotive writing that can leave you gutted? Yes, an emphatic yes! Ultimately, that’s what makes me love this book in particular: Schwab’s writing and the way she made me care for characters like Holland with an intensity I didn’t think was possible. I still think I may wait a bit to see what’s up with the new books in this series before diving in, because if certain arcs don’t get more attention, and certain questions aren’t answered, I may come back and change this rating. But for now, this is a very comfortable 5 star read for me with a satisfying conclusion to the first trilogy in this series.
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XaphanReviewed in France on 2 March 2017
5.0 out of 5 stars Trilogie à lire absolument !
Si le premier tome fonctionnait très bien en stand alone, constituant à lui seul une histoire complète (c’est même confirmé par l’auteure qui dans une interview déclarait que pour elle les premiers tomes d’une série sont supposés pouvoir fonctionner comme des one-shot), les deux suivant travaillent vraiment en binôme. L’image qui semble la plus correspondre pour vous décrire cette duologie, c’est l’exemple des montagnes russes. Le premier tome (et donc deuxième de la trilogie) correspond à la lente montée des wagons : c’est calme, on admire le paysage, tout en discutant tranquillement, mais en même temps, on sent la tension qui monte et qui enfle à l’idée de ce qui nous attends par la suite. Et A conjuring of Light démarre sur les chapeaux de roues !
On se retrouve immédiatement embarqué dans une succession de chapitres qui prennent vraiment aux tripes (accrochez-vous à votre culotte !). J’ai fait l’erreur de commencer le livre a 22h, et je n’ai pu le lâcher qu’une fois un chapitre plus calme atteint… minuit passé !
Après cette première longue partie d’action/tension non stop qui met en place les différents dangers et enjeux auxquels vont faire face nos héros, on entre dans une deuxième partie -légèrement- plus calme orientée davantage aventure, et où l’on va également alterner entre les différents protagonistes, principaux ou non, et en apprendre davantage sur eux, sur leurs motivations, leur personnalité, les raisons derrières leurs comportements et leurs réactions,… Et c’est en grande partie pourquoi ce roman est aussi intense et prenant… L’auteure réussit en effet à nous rendre suffisamment proche et familier des différents personnages, bons ou mauvais, à suffisamment développer leur backstory, pour que peut importe ce qu’il leur arrive au cours du récit, on soit profondément touché et affecté, pour que l’on ressente tous ces sentiments de manière très forte. Et ce pour quasiment. Tous. Les. personnages ! Elle est même parvenue à me faire complètement changer d’avis concernant certains d’entre-eux ! Bonjour le syndrome de Stockholm.
L’intrigue, les personnages, la fin du roman,… Tout est absolument parfait du début à la fin, y compris les moments durs et tristes, tout est parfaitement dosé et distillé à un rythme idéal, et on est partagé entre l’envie de finir cette saga, de savoir comment tout se termine, et l’envie que ça ne s’arrête jamais…
En conclusion de cette trilogie, et je n’ai qu’une chose à vous dire : lisez-là ! Ça faisait longtemps que je n’avais pas été autant pris par un roman, son intrigue et ses personnages, et je n’ai qu’une hâte : découvrir ce que nous réserve le film. Car oui, si cette trilogie devait à la base être adaptée en série télé, Sony vient tout juste d’annoncer avoir acheté les droits pour l’adapter au cinéma ! L’auteure a de son côté annoncé que cette suite de romans ne constituaient dans sa tête qu’un arc, et que l’on pouvait espérer voir revenir ces univers dans une potentielle suite…