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Moskva: 'The new Le Carre' BBC Radio 2 The Sara Cox Show (Tom Fox Trilogy Book 1) Kindle Edition
*Longlisted for the 2017 CWA Ian Fleming Steel Dagger for best thriller*
'Even better than Child 44' Daily Telegraph
'Given that the definitive thriller in 1980's Moscow already exists (Gorky Park), Moskva looks like a crazy gamble. But it's one that comes off' Sunday Times
'A riddle wrapped in a mystery inside an enigma . . .'
January, 1986. A week after disgraced Intelligence Officer Tom Fox is stationed to Moscow the British Ambassador's fifteen-year-old daughter goes missing. Fox is ordered to find her, and fast. But the last thing the Soviets want is a foreign agent snooping about on their turf. Not when a killer they can't even acknowledge let alone catch is preparing to kill again . . .
A Cold War thriller haunted by an evil legacy from the Second World War, Moskva is a journey into the dark heart of another time and place.
'Mesmerising, surefooted, vividly realised . . . something special in the arena of international thrillers' Financial Times
'A compulsive and supremely intelligent thriller from a master stylist' Michael Marshall, author of The Straw Men
'A blizzard of exciting set pieces, superbly realized' Daily Telegraph
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Review
Like the city herself, Jack Grimwood's Moskva is richly layered, stylish, beautifully constructed, and full of passion beneath the chills. Part political thriller, part historical novel, part a story of personal redemptions, Moskva cements Jack Grimwood as a powerful new voice in thriller writing. Not to be missed. (Sarah Pinborough)
Given that the definitive thriller in 1980's Moscow already exists (Martin Cruz Smith's Gorky Park), Jack Grimwood's Moskva looks like a crazy gamble. But it's one that comes off . . . (Sunday Times)
Hard to know what to praise first here: the operatic sweep of this mesmerising novel; the surefooted orchestration of tension; or the vividly realised sense of time and place; all of these factors mark Jack Grimwood's Moskva out as something special in the arena of international thrillers (Barry Forshaw Financial Times)
Even better than Child 44 (Telegraph)
A compulsive and supremely intelligent thriller from a master stylist (Michael Marshall)
A first-rate thriller - Moskva grips from the very first page. Heartily recommended (William Ryan)
Memorable characters, powerful recreations of history and an unrelenting pace that will keep you breathless. A striking début in the genre. (Maxim Jakubowski)
Tom Fox is well drawn, the action scenes are filled with energy and tension, but the real hero of Moskva is Russia itself, bleak, corrupt, falling apart, but with an incurable humanity (Tom Callaghan)
From the Inside Flap
Red Square, 1985.
The naked body of a young man is left outside the walls of the Kremlin; frozen solid - like marble to the touch - missing the little finger from his right hand.
A week later, Alex Marston, the headstrong fifteen-year-old daughter of the British Ambassador disappears. Army Intelligence Officer Tom Fox, posted to Moscow to keep him from telling the truth back home, is asked to help find her. It's a shot at redemption.
But Russia is reluctant to give up the worst of her secrets. As Fox's investigation sees him dragged deeper towards the dark heart of a Soviet establishment determined to protect its own so his fears grow, with those of the girl's father, for Alex's safety.
And if Fox can't find her soon, she looks likely to become the next victim of a sadistic killer whose story is bound tight to that of his country's terrible past . . .
From the Back Cover
Red Square, 1985.
The naked body of a young man is left outside the walls of the Kremlin; frozen solid - like marble to the touch - missing the little finger from his right hand.
A week later, Alex Marston, the headstrong fifteen-year-old daughter of the British Ambassador disappears. Army Intelligence Officer Tom Fox, posted to Moscow to keep him from telling the truth back home, is asked to help find her. It's a shot at redemption.
But Russia is reluctant to give up the worst of her secrets. As Fox's investigation sees him dragged deeper towards the dark heart of a Soviet establishment determined to protect its own so his fears grow, with those of the girl's father, for Alex's safety.
And if Fox can't find her soon, she looks likely to become the next victim of a sadistic killer whose story is bound tight to that of his country's terrible past . . .
About the Author
Jack Grimwood, a.k.a Jon Courtenay Grimwood, was born in Malta and christened in the upturned bell of a ship. He grew up in the Far East, Britain and Scandinavia. Apart from novels, he writes for national newspapers including The Times, Telegraph, Independent and Guardian. Jon is two-time winner of the BSFA Award for Best Novel, first with Felaheen, and then End of the World Blues. His literary novel, The Last Banquet, published under the name Jonathan Grimwood, was shortlisted for Le Prix Montesquieu 2015. His work has been translated into fifteen languages. He is married to the journalist and novelist Sam Baker. Nightfall Berlin is his second thriller.
jackgrimwood.com
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Excerpt. © Reprinted by permission. All rights reserved.
Moskva
By Jack GrimwoodSt. Martin's Press
Copyright © 2017 Jack GrimwoodAll rights reserved.
ISBN: 978-1-250-12477-7
Contents
Title Page,Copyright Notice,
1. Red Square, Christmas Eve, December 1985,
2. New Year's Eve, December 1985,
3. Sadovaya Samotechnaya,
4. Wax Angel, 6 January 1986,
5. Telephone,
6. Kisses for Mayakovsky,
7. Meeting Anna on the Street,
8. Hunting for David,
9. Party Address,
10. Not Enough Room to ...,
11. Cross Hairs,
12. A Knock on the Door,
13. Beziki,
14. Chacha Over Ice,
15. Drunk Again,
16. Supper with Beziki,
17. Dennisov's Bar,
18. Major Milova,
19. Night Attack,
20. In the Cellar,
21. The Commissar,
22. Mary's Room,
23. Wax Angel,
24. Back to the House,
25. The Ice Beckons,
26. Sisters of Mercy,
27. Vistula, Spring 1945,
28. Burying Vladimir,
29. House of Lions,
30. Back at the Dacha,
31. Ural 650,
32. Return to Moscow,
33. Autopsy,
34. Forgiveness,
35. Spinning the Wheel,
36. Finding Schultz, Berlin, April 1945,
37. Questions and Answers,
38. Phoning Home,
39. Caro Calls,
40. The Oak Tree,
41. Another Knock at the Door,
42. Handing Over the Notebooks,
43. Yelena's Offer,
44. The Train,
45. Talking to Owls,
46. At the Hotel National,
47. Bearding the Lion,
48. Into the Den,
49. An Ordinary Train,
50. To the Island,
51. Not One Step Back, Stalingrad, Winter 1942,
52. The White Wolf,
53. Crossing the River,
54. Slaughterhouse Now,
55. Hearts of Ice,
56. Voices,
57. Hands in the Fire,
58. Banquet,
59. Going Home,
Acknowledgments,
About the Author,
Copyright,
CHAPTER 1
Red Square, Christmas Eve, December 1985
In the same hour that a sergeant in the Moscow police threw a tarpaulin over the naked body of a boy below the Kremlin Wall, a missile pulled by a diesel train a thousand miles away jumped its rails approaching a bend and killed everyone on board. Faced with such a disaster, the local soviet took the only decision it could.
Military bulldozers began gouging a two-hundred-yard trench in the dirt.
In the weeks that followed, any evidence that the track had not been properly fixed was buried, along with twisted rails, the wreckage and the bodies it had contained. Fresh track was laid along the edge of a lake and fixed, properly this time. The accident simply ceased to exist.
In Moscow, the truth was harder to hide.
It was six in the morning, not yet dawn, and the old man using the shortcut behind Lenin's Tomb was old enough to remember when Resurrection Gate still guarded the entrance to Red Square; back in the days before Stalin had it demolished to make it easier for tanks to parade.
The old man was unkempt, shaggy-haired. He'd been born to peasants and fought beside Trotsky in his teens. He'd be happy to resign his seat on the politburo if only the USSR had someone to replace him.
That fool Andropov, dead after fifteen months. Chernenko didn't even last that long. Now Gorbachev, practically a child ...
How could he possibly step down?
The man only realized something was wrong when a torch momentarily blinded him. It was lowered quickly, lighting trampled snow. The sergeant was apologetic, abjectly so. "Comrade Minister. Sorry, Comrade Minister ... I didn't realize it was you."
"What's happened?"
"A car crashed into a bollard."
"What kind?"
"Sir?"
"A Zil, a Volga, a Pobeda?"
"A Volga, sir. A new one."
The old man frowned. The waiting list for a Volga was so long it could be resold instantly for double the original price. Even in a country where vodka was often the only way to keep out the cold, crashing a new one would be more than unfortunate.
He watched the sergeant shift nervously from foot to foot.
How long would it take him to realize the obvious? There would be tire tracks in the snow if he was telling the truth. He didn't blame the man. He'd obviously been ordered to lie.
"Tell them I insisted on seeing for myself."
"Yes, Comrade Minister. Thank you, Comrade Minister."
They should have been around when Stalin was alive. Then they'd know what real fear was. Ahead, lit by uplights on the Kremlin Wall, a major of the militsiya, Moscow's police, stood bareheaded before a politburo member the old man had never liked. The man's preening idiot of a son was on the far side.
"Vedenin," the old man said.
"Comrade Minister? You'll catch cold."
That was Ilyich Vedenin for you, the old man thought sourly. Always willing to state the obvious. At their feet, falling snow turned a tarpaulin white.
"Well, aren't you going to show me?"
Vedenin's son yanked back the cover to reveal a boy of twelve or thirteen, apparently asleep. He was naked, his head and any body hair shaved clean. His mouth was very slightly open and his genitals looked tiny. The jelly of his eyes was milky white and he stared so blindly that for a second the old man looked away.
The little finger of the boy's right hand was missing. The cut was clean, no blood on the snow beneath. Kneeling, the old man touched the boy's chest and then his face, almost gently. The flesh was hard as ice.
"Strange," he muttered.
"What is, sir?"
"He can't have been here long enough to freeze."
The old man was readying himself to stand when he paused and covered his action by tapping for a second time the white marble of the frozen boy's chest, pretending to listen to its dull thud. Then he checked that he'd seen what he thought he'd seen.
Almost entirely hidden in the boy's mutilated hand was a tiny wax angel.
That was unnerving enough. What was more unnerving still was that the angel had the boy's face. Glancing up, to make sure he wasn't being watched, the old man palmed the angel and pocketed it.
There was a message in the whiteness of the wax.
As there was a message in the frozen state of the body placed so carefully in front of the Supreme Soviet's center of power. The old man had to admit he was slightly shocked that the dead boy and figurine should come together. Not least because the latter could only have come from someone he knew to be dead.
CHAPTER 2New Year's Eve, December 1985
The British embassy on Maurice Thorez Embankment was across the river from the Kremlin. As the ambassador was fond of reminding people, the sight of the flag on its roof once so upset Stalin that he demanded the building back. When the British refused, Stalin had curtains put up to hide the view. Anglo-Soviet relations were better these days.
But not by much.
The last man to arrive at that night's party was a major in British Army intelligence, recently seconded to Moscow at short notice and with the kind of ill-defined job that annoyed Sir Edward intently. The ambassador liked people who knew their place. He also liked to know what that place was. It might have reassured him to know the major wasn't a whole lot happier.
The place, the people, the party ... none of them fitted Tom Fox's idea of a perfect New Year's Eve.
He'd arrived five days earlier to discover that barely anyone at the embassy knew he was coming, and those who did seemed bemused by the fact. Only Sir Edward had been unsurprised, and he'd been disapproving without bothering to say why.
Tom managed fifteen minutes before heading for the nearest balcony and an emergency cigarette. Standing in a chill wind, with snow splattering onto his dinner jacket, he looked resignedly at the icy flatness of the Moskva River and wondered how soon he could head back to his flat.
He'd been in the Soviet Union less than a week.
It was already too long.
If Caro were here, she'd say go and make friends. She'd know what to say and who to say it to. His wife's talent for socializing had rubbed off for a while, until things soured between them and he'd stopped bothering. When the balcony door creaked, he refused to look as a figure came to stand beside him, leaning against the cold balustrade.
"Got a cigarette?"
He passed his packet across without comment.
"I'll need a lighter."
Tom put his Bic on the balustrade where it wobbled in the wind until the girl closed her fingers around it. As it flared, and she put up a hand to shield the flame, he noticed a jade ring on her engagement finger and a graze on her wrist.
"These are foul."
He nodded.
With the tiny stub of tobacco only half gone, she flicked her papirosa over the edge and they watched the wind whisk it away, darkness taking it long before it hit the snow below. "It's bloody cold out here," she said.
Tom nodded.
"You don't say much, do you?"
Shaking his head, he kept his gaze on the red brick of the Kremlin Wall, which was lit from below. He'd been told how many kilos the red star on top of Spasskaya Tower weighed, how much power it took to make it glow. Like most of what he'd been told in the past week, he'd forgotten. He had a sense though, as the balcony door shut, that he'd remember the girl. If only because she'd been wearing black jeans and a dinner jacket of her own.
Then he blinked, and the moment was gone, and he forced himself back inside, heading for the floppy-haired young military attaché whose job it was to help him settle in. Gold cufflinks, signet ring, a dinner jacket he looked as if he'd been born in ... Tom sighed; he should give the boy a chance.
"Do the Soviets usually attend these things?" Tom asked.
"The Russkies? We always extend an invitation. Mostly they turn us down. Prior engagement. You know the kind of thing. This year ..."
"What's different about it?"
"They accepted. Well, a few of them did."
"No, I mean, what's different about this year?"
"Who knows with them?"
"It's my job to know."
"Is it now?" The young man looked interested. "We were wondering what you did. 'Visiting analyst' sounds a bit American. You know, cubicle offices and fountains in the foyer. Some of us thought you must be a treasury spy."
"You don't approve of efficiency drives?"
"Only if they improve efficiency."
"Believe me," Tom said, "I'm not a treasury spy."
The young man excused himself, pleading necessity. Tom watched him head through a crowd of uniforms, dresses and dinner jackets toward the loos, wondering if he'd return, and if he did, how to politely ask his name for a third time, and maybe even remember it.
"You all right?" the man asked, when he got back.
"This isn't really my thing."
"Nor mine. But it comes with the territory." He caught the eye of a black woman in a long white dress, who swerved around a Russian colonel, nodded apologetically to the group she'd been about to join and strode toward them.
"Impressive, isn't she?"
Tom wondered whether he'd say that about any other woman there.
"First at Oxford. Good school too." As she reached them, he said. "This is Mary Batten. She knows things."
"Tom," said Tom. "Tom Fox."
"I know," Mary said. "I approved your flight. How's the flat?" "Bug-ridden, most probably."
For a second she looked surprised, then laughed loudly enough to make a young Russian in a flashily cut velvet jacket glance across. He held Tom's gaze and nodded politely. "Who's that?" Tom asked.
"See the thickset man smoking cigars by the window? That's Ilyich Vedenin. Newly made minister. "He's the highest-ranking Soviet in this room. Vladimir's his son."
"And the man he's talking to?"
"A general," said a voice behind Tom. "Recently recalled from Afghanistan ..." They turned to find Sir Edward Masterton, the ambassador, looking every bit as languid as Tom remembered from their introductory meeting. "It might be best," Sir Edward said, "if the three of you mingled. We have slightly more shows than expected. We did ring round, didn't we?" "Yes, sir." Mary Batten nodded.
"So what happened?"
"Everyone came."
"Typical. I'd love to know why Vedenin accepted."
"I'll find out," Tom said.
Sir Edward raised his eyebrows. "And how will you do that?"
"I'll ask him, sir."
* * *
Minister Vedenin shook the hand offered and glanced at the crowd over Tom's shoulder. For a moment Tom thought he was looking for someone more interesting, then he realized the real reason.
"Your son's over there."
They looked toward an alcove where the young Russian was deep in conversation with the girl who'd begged the cigarette earlier. As they watched, the girl stopped glowering and almost smiled. The minister sighed.
"He's a good-looking boy," Tom said.
"And knows it, unfortunately. You have children?" Tom hesitated. "A boy," he said finally. "With his mother for Christmas."
"Who is not here?" Opening a silver case, Vedenin offered Tom a cigar. "These things happen ... Life is invariably more complicated than one wants. Especially family life. Of course, in my position, the whole of the USSR is my family."
"That must make for a headache."
"You have good Russian. For a foreigner."
"I have terrible Russian."
The minister shrugged. "I was being polite."
The man smelled of cigars and brandy, and a faint whiff of what could be cologne or schnapps. If it was schnapps, it came from a hip flask. He looked like the kind of man who might carry a hip flask for when his hosts kept insisting on offering champagne long after everyone stopped tasting it.
"You went to Sir Edward's school?" The Russian watched in amusement as Tom half choked on his champagne.
"I doubt they'd have let me through the door ..."
"Ah, you're ..." Vedenin smiled. "Salt of the earth? That's a Rolling Stones track, isn't it? From Beggars Banquet. My son has the album."
"Should you admit that?"
"Times they are changing. That's Dylan."
"He has that album too?"
"I do. Vladimir bought it for me in America ..."
The man looked over to where his son stood talking to an Indian woman. "I was born in 1923," he said. "Two-thirds of Soviet boys born that year didn't survive the war. My hope is Vladimir never has to go through the same."
Together, Tom and the Russian examined the crowd.
Two hundred and fifty guests filled a ballroom that probably looked just as it had back in the days when the embassy was a rich sugar merchant's mansion. All those uniforms, all that braid, all those dinner jackets. Caro would have been entirely at home.
"Would it be rude," Tom said, "to ask why you're here?"
"I was invited."
The two men stared at each other and Tom wondered whether Vedenin dyed his hair or if he wore a wig, or if his hair really was that dark and wiry. The man lacked his son's good looks, and as a young man would have had an earthiness missing from the boy.
"My wife was an ice skater. Famously beautiful. She died young."
"How did you know what I was thinking?"
The minister smiled. "You looked at me, you looked at him, you looked momentarily puzzled. It wasn't hard to follow."
"I'll remember that."
"I'll remember you knew I was looking for the boy." Vedenin hesitated. "She's young, that English girl you keep staring at. Pretty, admittedly. But young. You know whose stepdaughter she is, of course?"
"I take it you do?"
"What do you find so interesting?"
The dinner jacket, the shaved sides to her head, his bubbling anger at the graze on her wrist ...
"It's hard to say."
"You mean you won't. 'A riddle wrapped in a mystery inside an enigma.' You know who said that?"
"Churchill. About Russia."
The minister smiled. "What are you doing in Moscow?"
"I've been exiled."
"Really?" Vedenin looked intrigued.
"Well. Someone thought it would be useful if I was out of the way."
The Russian laughed. "Your queen offered Ivan the Terrible refuge once. Did you know that? He wanted to marry her. She refused but said if he ever got into trouble at home he could come to live in England. So you see, the ties between our countries are historic and strong. If a little fractious, in the way of all families. Especially those where the members haven't been talking for a while. And that, to answer your question, is why I'm here. Now, if you'll excuse me ..." The minister swept the ballroom with a sharp gaze, looking for more than his son this time.
A Soviet colonel in dress uniform nodded and slid across to a general, who glanced at Vedenin and nodded in turn. The man the minister didn't look at, the one not in uniform, the one who'd been watching Vedenin's son earlier, didn't catch anybody's eye. He still managed to disengage himself from an elderly Indian diplomat though. And he reached the door ahead of his principal. He was the one who'd checked for the exits, windows and light switches earlier. The one Tom Fox recognized as a young version of himself. The one he'd have worried about, if worrying about these things was still Tom's job.
* * *
With the Soviets gone, the party relaxed.
Someone turned the lights down and the music up and a woman began chivvying couples on to the dance floor. Most were embarrassed but well aware there were still two hours to midnight. Abba gave way to Rod Stewart. Rod Stewart to Hot Chocolate ... Not really Tom's kind of music. He was thinking about going back to the balcony when he saw the ambassador lean in to the woman and mutter something. There was a manicured look about her as if she'd wandered in from Chelsea, and now found herself living in a Georgian rectory somewhere in Wiltshire and regretted the move.
She frowned but headed for Tom all the same.
"It's always hard," she said, "when you first arrive. If you don't know anyone. We're a friendly bunch really. Edward says your family will be joining you later."
"Possibly."
Her smile faltered.
"My wife's having Christmas with her parents and Charlie's back at school on the seventh. I might try to get back for halfterm if I can."
"Charlie's your son?"
Tom nodded.
"Anna," she said, putting out her hand.
"Lady Masterton?"
"I prefer Anna."
Her grip was as strong as her gaze was unfocused. "I couldn't help noticing you glancing at my daughter earlier."
"Her dinner jacket is an interesting touch."
Anna Masterton winced. "She's cross with me."
"You in particular?"
"Everyone really. It's a difficult age."
"Seventeen?"
Anna Masterton didn't know whether to be amused or appalled. "Is that what she told you? She's sixteen next month."
"What's she furious about?"
"Lizzie went to Westminster for sixth form and Alex wanted to go too. Lizzie's her friend. My husband wouldn't let her. So now it's a battle. An East German girl she met at the pool was having a party tonight. Edward said she had to come to this. Now he wants to drive out to Borodino, stay a few nights and walk the battlefield. Alex says he can't make her. You can grin, but it's bloody tiring."
She spoke with the fierce intensity of the quietly drunk.
"I'm sure it is," Tom agreed.
Anna Masterton shook her head, quite at what Tom wasn't sure, and forced a smile more appropriate to an ambassador's wife at an official function. "You're a Russia expert, Edward says."
"I wouldn't go that far."
"But you did lots of preparation for your visit here."
"I rewatched Andrei Rublev."
She looked at him quizzically. "Isn't that the strange black-and-white film with naked peasants in a forest setting fire to everything?"
"Tarkovsky. 1966. It opens with a pagan festival."
(Continues...)Excerpted from Moskva by Jack Grimwood. Copyright © 2017 Jack Grimwood. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B017OMWR3E
- Publisher : Penguin
- Publication date : 5 May 2016
- Language : English
- File size : 4.9 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 366 pages
- ISBN-13 : 978-1405921718
- Page Flip : Enabled
- Book 1 of 2 : Tom Fox
- Best Sellers Rank: 68,611 in Kindle Store (See Top 100 in Kindle Store)
- 477 in Legal Thrillers (Books)
- 493 in Political Thrillers (Books)
- 608 in Political Thrillers & Suspense
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Customers find the book beautifully written and easy to read, with a well-paced and gripping story that's very absorbing and atmospheric. However, the plot complexity receives mixed reactions, with some finding it intriguing while others say it's a mishmash of every thriller. Character development is also mixed, with some praising the great characters while others find them unbelievable.
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Customers find the book to be a wonderful and intriguing read, describing it as absolutely brilliant.
"A fascinating, absorbing and entirely gripping read...." Read more
"...The book is of course fantasy but a good read and Mr Grimwood needs to develop plots and characters earlier in his coming books, building from the..." Read more
"...Multilayered plot which connected the 1940s and the 1980s in a convincing manner through a narrative of the old men trying to hold on to power while..." Read more
"...I did not bother with the sequel. For me it does not compare favourably with John Le Carre." Read more
Customers appreciate the writing style of the book, describing it as beautifully and easy to read, with one customer noting its convincing portrayal of 1980s Moscow.
"...Complex and simple at the same time, the writing is easy to read, the style effortless. More please." Read more
"...The writing is very good - clean, precise, and evocative. I found myself thinking about the characters long after putting the book down." Read more
"Fast paced, convincing, well written and, whilst set in mid 80s Russia with flashbacks to WW2 Stalingrad, as the story unfolds, a scary insight - in..." Read more
"Written in true Le Care style, the storyline is challenging to the reader but absorbing. Good quality, competitively priced and prompt delivery." Read more
Customers appreciate the pacing of the book, with one noting that the story moves at a decent pace, while another mentions it gets their heart beating faster.
"...The action bounds along, the pace accelerates and brakes exactly as it does in real life; puzzles and their solutions are everywhere...." Read more
"...It was more than "just a thriller" - the story moves along at a decent pace, but the development of the characters, and their revelation to..." Read more
"As some of the other reviewers point out, the books starts slow and the plot all over the place...." Read more
"Fast paced, convincing, well written and, whilst set in mid 80s Russia with flashbacks to WW2 Stalingrad, as the story unfolds, a scary insight - in..." Read more
Customers find the book gripping.
"A gripping story with a real mix of horror and sensitivity all mixed up in a real world of world war 2 and post war russia" Read more
"This draws you in immediately, then grabs hold of you till you reach the last page...." Read more
"...A great read. Gripping till the end." Read more
"An excellent story, well written, convoluted and gripping." Read more
Customers find the book absorbing, with one describing it as totally immersive.
"A fascinating, absorbing and entirely gripping read...." Read more
"...true Le Care style, the storyline is challenging to the reader but absorbing. Good quality, competitively priced and prompt delivery." Read more
"A great read and totally immersive. Tom Fox is a very believable lead and 1980s Moscow too. Now onto the sequel!" Read more
"I found the book very absorbing and enjoyable." Read more
Customers appreciate the atmosphere of the book.
"This is an atmospheric novel with a great sense of place and time, complex characters, and an intriguing plot...." Read more
"Very atmospheric but no real logic to the supposed plot. Only 20% as good as Artic light. One of the problems is it goes over Stalingrad too much...." Read more
"Great fun. i thoroughly enjoyed it. atmospherics were great. interesting characters. a pleasant, relaxing read." Read more
"Fantastic atmosphere..." Read more
Customers have mixed opinions about the plot complexity of the book, with some finding it intriguing and an outstanding thriller, while others find it unnecessarily gory and lacking in logic.
"...It is a beauty of a book. Complex and simple at the same time, the writing is easy to read, the style effortless. More please." Read more
"The best thriller I've read in years. Rich characters who feel authentic and alive. Intricate plot...." Read more
"...The book is of course fantasy but a good read and Mr Grimwood needs to develop plots and characters earlier in his coming books, building from the..." Read more
"Unputdownable One of the best spy books I’ve read. Wonderful descriptions of the era. Some gruesome, and horrific but adds to the ‘bite’ of the book" Read more
Customers have mixed opinions about the character development in the book, with some praising the great characters and engaging protagonist, while others find them unbelievable.
"The best thriller I've read in years. Rich characters who feel authentic and alive. Intricate plot...." Read more
"...The characters don’t appear believable to me, the story seems unnecessarily gory and the plot very unlikely." Read more
"...is an atmospheric novel with a great sense of place and time, complex characters, and an intriguing plot...." Read more
"Good read. A page turner with good characters and a good plot. A good page turner which keeps the reader interested and guessing...." Read more
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- Reviewed in the United Kingdom on 4 December 2016A fascinating, absorbing and entirely gripping read. Moskva is almost a classic tale of cold warriors, set in Moscow in the mid-1980s, when the red writing was most certainly on the wall. The plot is simple: a missing person. And that’s where the simplicity ends. The missing person is the British ambassador’s daughter, a rebellious teen, and the Brit tasked to find her again is a former soldier sent away from London to a place where he can do no harm.
The star of the book is Moskva, capital of Mother Russia; the players, the characters – and there are a lot of them honest and otherwise, likeable and otherwise – are as diverse, unpredictable, eccentric and intriguing as that vast city itself. Jack Grimwood paints a compelling picture of the social strangeness, the teetering complexity of the Soviet structure, the contradictions, conflicted loyalties and heavyweight friendships of that disappeared, collapse and failed attempt at a glorious political ideal. The stubborn beliefs, the flickering, dying light of the red star of Soviet communism, the relics of military conflicts and the ferocious personal loyalties – of family, friendship, comradeship and collapse, laced with unending humour and charm… all are here. Layer upon layer of careful plotting and clever characterisation, as well as some heavyweight observations on both Russian and British political structure.
But worry not if you don’t care about all this; if all you want is a thriller. This book boasts thrills enough for anyone. The action bounds along, the pace accelerates and brakes exactly as it does in real life; puzzles and their solutions are everywhere. It is a beauty of a book. Complex and simple at the same time, the writing is easy to read, the style effortless. More please.
- Reviewed in the United Kingdom on 6 February 2017As some of the other reviewers point out, the books starts slow and the plot all over the place. The book is of course fantasy but a good read and Mr Grimwood needs to develop plots and characters earlier in his coming books, building from the beginning (for example we discover that the hero speaks fluent Russian, about a third of the way through) and not all the way through the book . The historical facts are OK and even though it is set in the 'eighties' it is more akin the the 'nineties' when this lawlessness was really rife. Nonetheless, it is not Child 44, and stands on its own merit. It is a good read but you need to hold in there while it builds. I hope to see Tom Fox back again.
- Reviewed in the United Kingdom on 22 July 2021What I liked:
- Multilayered plot which connected the 1940s and the 1980s in a convincing manner through a narrative of the old men trying to hold on to power while fighting the ghosts of of their youth
- Amusing descriptions of Russian equipment such as "Ural-650" and various other technological advances such as an unnamed but nearly silent white helicopter (which I can only presume was a version of a Ka-26?)
- An apparent disregard of human ageing in which decorated OAPs who held desk jobs for the last 25+ years present a real danger to young and highly trained special forces operatives. As a 38 year old I am keen on this idea.
- Overall a great book, made me think and read up on some Stalingrad and siege of Berlin history.
What I didnt like:
- There's little understanding of what was happening in Russia at the time of the plot. Dennisov allegedly had a bar that he "owned" in 1985-6. This would have been wholly impossible, the first "cooperatives" which were rudimental private enterprises were allowed in 1987 and none of them had an alcohol license. It would have been far more believable to position him as a general manager of a ministry ran canteen that served an unbelievable amount of vodka from a grand corner of an "gastronom" shop. This would align with a story of a deviant son of a party apparatchik. He would have personally made a lot more wealth that way too.
- The way Mr Fox finds it comfortable to confide his deepest secrets to people he met yesterday as opposed to his wife of may years with whom he is trying to save a marriage by being more open as a person. Greatly consistent approach there, Comrade!
- The way Tom Fox was just left in the hands of the enemy because the ambassador chose to ghost him makes no sense. Despite his drunken state he was an asset to be protected, if only for the potential repercussions of what he could volunteer to say about the Irish situation and how that could be used against the state.
- I got triggered by the description of an illegal lot selling cars under a flyover arch. You have to understand that a car represented perhaps 10-15 years of hard work in the CCCP. They were never kept in the elements. The deals to buy nearly new ones were far more complex that anything private equity houses can come up with in 2021. The cars were stashed in garage cooperatives, deals done in kitchens.
- Too much unnecessary detail about the murdered children (who in the end tur up to not be quite children but still too much detail) which doesn't add much to the story except trigger general disgust of most characters. slightly unnecessary.
Overall I recommend this book - its amusing, the plot is good and it invites you to pick holes in it. Perfect for two longish haul flights.
- Reviewed in the United Kingdom on 3 September 2024The best thriller I've read in years. Rich characters who feel authentic and alive. Intricate plot. It was so good that I read the last 300 pages (well, 294, to be specific) in one sitting. Highly recommended.
- Reviewed in the United Kingdom on 3 April 2024If you are happy to concentrate hard and keep reminding yourself of the details as the story unfolds then this book will reward you for your efforts.
- Reviewed in the United Kingdom on 5 August 2024Unputdownable One of the best spy books I’ve read. Wonderful descriptions of the era. Some gruesome, and horrific but adds to the ‘bite’ of the book
- Reviewed in the United Kingdom on 1 July 2024Early on, this seemed like a good spy story along the lines of le Carre as the publicity suggests, but after reading half of it, I got bored and couldn’t bring myself to finish it. The characters don’t appear believable to me, the story seems unnecessarily gory and the plot very unlikely.
Top reviews from other countries
- Frank RileyReviewed in Australia on 28 March 2019
4.0 out of 5 stars Spy drama in Moskow
The knowledge of the ordinary people and the bureaucrats stands out. The pace of the novel is keen enough to keep one's interest right to the end, and the tension is obvious throughout. A very good read.
- CTReviewed in the United States on 18 October 2016
5.0 out of 5 stars Gets better in retrospect. Get this one and the next. (And everything this author writes, really.)
The next book is better, but start here.
Admittedly, I just love this author's SF and Fantasy so was a bit disappointed to see him write a Russian thriller. Luckily, Mr. Grimwood can write anything. The writing is excellent and a step above what's found in most current spy-thrillers. Deeper characters, surer writing, and deeper themes. Some unlikely coincidences (really, he just happens upon a key player's bar?), but what thriller doesn't
- Amazon CustomerReviewed in Canada on 30 January 2019
5.0 out of 5 stars Great read
Fast paced with lots of twists, complicated characters with their own devils and all in a cold cold location .
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fastbondReviewed in Germany on 4 April 2017
4.0 out of 5 stars Leider ein Kriminalroman...
Grimwoods bisherige Romane, vor allem die Felaheen-Trilogie habe ich genossen, sie waren einfallsreich und auch schriftstellerisch hervorragend. Sein schriftstellerisches Können hat Grimwood nicht verloren, Moskva ist blendend recherchiert und die einzelnen Kapitel sind Vignetten, die man nicht vergisst. Der Roman leidet allerdings an den Vorgaben des Genres: ein seelisch verwundeter alkoholabhängiger Einzelgänger, der den Fall gegen alle Widerstände löst, eine völlig unglaubhafte Aneinanderreihung von Ereignissen und "zufälligen" Begegnungen, jahrzehntelang gehütete Geheimnisse etc. Ich habe das Buch mit Vergnügen gelesen, aber es hat mir erneut exemplarisch deutlich gemacht, warum ich keine Kriminalromane mag...
- WineboreReviewed in Spain on 3 January 2017
2.0 out of 5 stars starts well, but loses the plot and (this) reader
I thought the first half of the story was excellent; interesting & well paced. But as the plot (failed) to develop, I became more annoyed that the McGuffin (to use Hitchcock's name for the plot device) did not live up the plot machinations. The author tried to cover this up by simply not telling the story with any clarity. By the time I finished (and I had to push myself to do so by this point) I felt defrauded; what happened to the great beginning? What was it all for?
4 stars for first half, one for the second half, should average two and a half stars, but I'll round it down for the proposterous idea of an alcoholic, one legged helicopter pilot landing a helicopter on an abattoir roof in a blizzard.