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The Glorious Heresies: 'A big, brassy, sexy beast of a book' IRISH TIMES Kindle Edition
WINNER OF THE BAILEYS' WOMEN'S PRIZE FOR FICTION 2016
WINNER OF THE DESMOND ELLIOT PRIZE 2016
'A head-spinning, stomach-churning state of the nation novel' THE TELEGRAPH
'Glorious, foul-mouthed, fizzing' SUNDAY TIMES
'Seriously enjoyable and high-octane' IRISH TIMES
We all do stupid things when we're kids.
Ryan Cusack's grown up faster than most - being the oldest of six with a dead mum and an alcoholic dad will do that for you.
And nobody says Ryan's stupid. Not even behind his back.
It's the people around him who are the problem. The gangland boss using his dad as a 'cleaner'. The neighbour who says she's trying to help but maybe wants something more than that. The prostitute searching for the man she never knew she'd miss until he disappeared without trace one night . . .
The only one on Ryan's side is his girlfriend Karine. If he blows that, he's all alone.
But the truth is, you don't know your own strength till you need it.
- LanguageEnglish
- PublisherJohn Murray
- Publication date9 April 2015
- File size7.3 MB
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From the Publisher


Product description
Review
A rich, touching, hilarious novel - Financial Times
A spectacular debut . . . a head-spinning, stomach-churning state-of-the-nation novel about a nation falling apart - Telegraph
A big, brassy, sexy beast of a book - Irish Times
A superb debut from a confident and comic writer - Mail on Sunday
Fiendishly hilarious - The Times
All the trappings of a possible future classic . . . a fascinating and accomplished commentary on modern Irish life - Big Issue
A daring, exuberant and generous novel - Observer
From the Inside Flap
'He was definitely dead, whoever he was. He wore a once-black jumper and a pair of shiny tracksuit bottoms. The back of his head was cracked and his hair matted, but it had been foxy before that. A tall man, a skinny rake, another string of piss, now departed. She hadn't gotten a look at his face before she flaked him with the Holy Stone and she couldn't bring herself to turn him over.'
One messy murder affects the lives of five misfits who exist on the fringes of Ireland's post-crash society. Ryan is a fifteen-year-old drug dealer desperate not to turn out like his alcoholic father Tony, whose obsession with his unhinged next-door neighbour threatens to ruin him and his family. Georgie is a prostitute whose willingness to feign a religious conversion has dangerous repercussions, while Maureen, the accidental murderer, has returned to Cork after forty years in exile to discover that Jimmy, the son she was forced to give up years before, has grown into the most fearsome gangster in the city. In seeking atonement for the murder and a multitude of other perceived sins, Maureen threatens to destroy everything her son has worked so hard for, while her actions risk bringing the intertwined lives of the Irish underworld into the spotlight . . .
Biting, moving and darkly funny, The Glorious Heresies explores salvation, shame and the legacy of Ireland's twentieth-century attitudes to sex and family.
From the Back Cover
'He was definitely dead, whoever he was. He wore a once-black jumper and a pair of shiny tracksuit bottoms. The back of his head was cracked and his hair matted, but it had been foxy before that. A tall man, a skinny rake, another string of piss, now departed. She hadn't gotten a look at his face before she flaked him with the Holy Stone and she couldn't bring herself to turn him over.'
One messy murder affects the lives of five misfits who exist on the fringes of Ireland's post-crash society. Ryan is a fifteen-year-old drug dealer desperate not to turn out like his alcoholic father Tony, whose obsession with his unhinged next-door neighbour threatens to ruin him and his family. Georgie is a prostitute whose willingness to feign a religious conversion has dangerous repercussions, while Maureen, the accidental murderer, has returned to Cork after forty years in exile to discover that Jimmy, the son she was forced to give up years before, has grown into the most fearsome gangster in the city. In seeking atonement for the murder and a multitude of other perceived sins, Maureen threatens to destroy everything her son has worked so hard for, while her actions risk bringing the intertwined lives of the Irish underworld into the spotlight . . .
Biting, moving and darkly funny, The Glorious Heresies explores salvation, shame and the legacy of Ireland's twentieth-century attitudes to sex and family.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Copyright © 2016 Lisa McInerney
The Dead Man
'
1
He left the boy outside its own front door. Farewell to it, and good luck to it. From here on in it would be squared shoulders and jaws, and strong arms and best feet forward. He left the boy a pile of mangled, skinny limbs and stepped through the door a newborn man, stinging a little in the sights of the sprite guiding his metamorphosis. Karine D’Arcy was her name. She was fifteen and a bit and had been in his class for the past three years. Outside of school she consistently outclassed him, and yet here she was, standing in his hall on a Monday lunchtime. And so the boy had to go, what was left of him, what hadn’t been flayed away by her hands and her kisses.
“You’re sure your dad won’t come home?” she said.
“He won’t,” he said, though his father was a law unto himself and couldn’t be trusted to follow reason. This morning he’d warned that he’d be out and about, so the kids would have to make their own dinner,though he’d be back later, trailing divilment and, knowing the kindness of the pit, a foul temper.
“What if he does, though?”
He took his hand from hers and slipped it round her waist.
“I don’t know,” he said. Oh, the truth was raw, as raw as you could get, unrehearsed words from a brand-new throat.
He was fifteen, only just. If she’d asked him the same question back before they’d crossed this threshold he would have answered according to fifteen years build-up of boyish bravado, but now that everything had changed he couldn’t remember how to showboat.
“It’ll be my fault anyway,” he said. “Not yours.”
They were supposed to be in school, and even his dad would know it. If he came home now, if, all lopsided with defeat, the worse for wear because of drink, or poker or whatever the fuck, it’d still take him only a moment to figure out that his son was on the lang, and for one reason only.
“Here it’d be yours,” she said. “But what if he told my mamand dad?”
“He wouldn’t.” It was as certain as the floor beneath them. His father was many things, but none of them responsible. Or bold. Or righteous.
“Are you sure?”
“The only people my dad talks to live here,” he said. “No one else would have him.”
“So what do we do now?”
The name of this brave new man, still stinging from the possibilities whipping his flesh and pushing down on his shoulders, was Ryan. In truth, his adult form wasn’t all that different to the gawky corpse he’d left outside; he was still black-haired and pale-skinned and ink-eyed. “You look like you’re possessed,” shivered one of the girls who’d gotten close enough to judge; she then declared her intent to try sucking the demon out through his tongue. He was stretching these past few months. Too slow, too steady, his nonna had sighed, the last time she’d perused his Facebook photos. She was adamant he’d never hit six feet. His mother was four years dead and his father was a wreck who slept as often on the couch as he did in his own bed. Ryan was the oldest of the wreck’s children. He tiptoed around his father and made up for it around everyone else.
Something didn’t fit about that. Of course, men of any age were entitled to flake around the place giving digs to anyone who looked like they might slight them, and that was certainly how the wreck behaved: hollow but for hot, cheap rage, dancing between glory and drying-out sessions in miserable rehab centres a million miles from anywhere. Even when Ryan dredged up the frenzies required by teachers’ scorn or challenges thrown down by bigger kids, he knew there was something very empty in the way the lot of them encouraged him to fight. He’d been on the lookout for something to dare him to get out of bed in the morning, but he’d never thought it could have been her.
She was part of that group of girls who wore their skirts the shortest and who commandeered the radiator perches before every class and who could glide between impertinence and saccharine familiarity with teachers. He’d never thought she would look at him as anything but a scrapper, though he’d been asking her to, silently, behind his closed mouth and downturned eyes, for fucking years.
Three weeks before, on the night of his birthday, she had let him kiss her.
He’d been in one of his friends’ cars—they were older than him, contemporaries of his sixteen-year-old cousin Joseph, who knew enough about Ryan to excuse his age—when he’d spotted her standing outside the doors of the community centre disco, laughing and trembling in a long black top and white shorts. He’d leaned up from the back seat and called her from the passenger window, and he didn’t even have to coax to get her clambering in beside him. Dumb luck that she was in the mood for a spin. And yet, a leap in his chest that tempted him to believe that maybe it was more again: dumb luck and trust. She trusted him. She—Jesus!—liked him.
They’d gone gatting. There were a couple of cans and a couple of joints and a cold, fair wind that brought her closer to his side. When he’d realised he couldn’t medicate the nerves, he’d owned up to how he felt about her by chancing a hand left on the small of her back, counting to twenty or thirty or eighty before accepting she wasn’t going to move away, taking her hand to steady his own and then finally, finally, over the great distance of thirty centimetres, he caught her mouth on his and kissed her.
In the days that followed they had covered miles of new ground and decided to chance making a go of it. They had gone to the pictures, they had eaten ice cream, they had meandered at the end of each meeting back to her road, holding hands. And lest they laid foundations too wholesome, they had found quiet spaces and dark corners in which to crumble that friendship, his palms recording the difference between the skin on her waist and on her breasts, his body pushing against hers so he could remember how her every hollow fit him.
Now, in his hall on a Monday lunchtime, he answered with a question.
“What do you want to do?”
She stepped into the sitting room and spun on one foot, taking it all in. He didn’t need to stick his head through the frame to know that the view was found wanting. His father’s ineptitude had preserved the place as a museum to his mother’s homemaking skills, and she had been as effective with clutter as the wind was with blades of grass.
“I’ve never been in your house,” she said. “It’s weird.”
She meant her presence in it, and not the house itself. Though she wouldn’t have been far wrong; it was weird. It was a three-bedroom terraced so cavernous without his mother he could barely stand it. It was a roof over his head. It was a fire hazard, in that he thought sometimes he could douse it in fuel and take a match to it and watch it take the night sky with it.
She knew the score. He’d admitted his circumstances in a brave move only a couple of days before, terrified that she’d lose it and dump him, and yet desperate to tell her that not every rumour about his father was true. On the back steps of the school, curled together on cold concrete, he’d confessed that yeah, he clashed with his dad, but no, not in the way that some of the more spiteful storytellers hinted at. He’s an eejit, girl, there’s only the weight in him to stay upright when he’s saturated, but he’s not . . . He’s . . . I’ve heard shit that people have said but he’s not warped, girl. He’s just . . . fucking . . . I don’t know.
She hadn’t run off and she hadn’t told anyone. It was both a load off and the worst play he could have made, for it cemented his place on his belly on the ground in front of her. On one hand he didn’t mind because he knew she was better than him—she was whip-smart and as beautiful as morning and each time he saw her he felt with dizzying clarity the blood in his veins and the air in his lungs and his heart beating strong in his chest—but then it pissed him off that he couldn’t approach her on his own two feet. That he was no more upright now than his father. That uselessness was hereditary.
There was no anger now, though. He had left it outside the front door with his wilting remains.
She held out her hand for his.
“You gonna play for me?”
His mam’s piano stood by the wall, behind the door. It could just as easily have been his. He’d put the hours in, while she fought with his dad or threatened great career changes or fought with the neighbours or threatened to gather him and his siblings and stalk back to her parents. She used to pop him onto the piano stool whenever she needed space to indulge her cranky fancies, and in so doing had left him with ambidexterity and the ability to read sheet music. Not many people knew that about him, because they’d never have guessed.
He could play for Karine D’Arcy, if he wanted to. Some classical piece he could pretend was more than just a practice exercise, or maybe one of the pop songs his mother had taught him when she was finding sporadic employment with wedding bands and singing in hotel lobbies during shitty little arts festivals. It might even work. Karine might be so overwhelmed that she might take all her clothes off and let him fuck her right there on the sitting-room floor.
Something empty about that fantasy, too. The reality is that she was here in his house on a Monday lunchtime, a million zillion years from morphing into a horny stripper. That’s what he had to deal with: Karine D’Arcy really-really being here.
He didn’t want to play for her. Anticipation would make knuckles of his fingertips.
“I might do later,” he said.
“Later?”
He might have looked deep into her eyes and crooned Yeah, later, if he’d had more time to get used to his new frame. Instead he smiled and looked away and muddled together Later and After in his head. I might do After. We have this whole house to ourselves to make better. There was going to be an After. He knew it.
She walked past him and out into the kitchen, and looked out the back window at the garden and its dock-leafed lawn laid out between stubby walls of concrete block. She flexed her hands against the sink, and pushed back her shoulders as she stretched onto tiptoes.
“It’s weird,” she said again. “To have never been in this house until now. You and me have been friends for so long, like.”
It had been an anxious kind of friendship. There were school projects and parties and play-fighting and one time a real fight during which he had accused her of only hanging out with him to get access to those parties. It was during that outburst of impotent temper, between off-white walls in a wide school corridor, that he realised their closeness amounted to years of her dragging him along like a piece of broken rock in a comet’s tail.
It hit him like a midwife’s slap that if it wasn’t for his house being so cavernous, if it wasn’t for his dad traipsing the city looking for cheap drink and indifferent company, if it wasn’t for the fact that scrappers cared little for mitching off school, she wouldn’t be here with him now, offering him the possibility of removing the burden of friendship and at least some of his clothes. Karine D’Arcy looked back at him with one hand on the draining board. The house looked different with her here, on his side. She didn’t know the history in every room and every jagged edge. The bottom step of the stairs. The coffee table that was always there, just so, to trip him up whenever he was shoved into the front room. The kitchen wall, the spot by the back door, where he’d watched the light switch from an inch away with one cheek pressed against eggshell blue and his dad’s weight condensed into a hand flat on his left temple trying to push him right through the plaster.
“You’re beautiful,” he told her, and she laughed and blinked and said, “God, where did that come from?”
“You are,” he said. “What are you doing here?”
She nestled against his neck. Missing Geography, she might have said. But she didn’t say anything and the longer her silence went on the closer they got to the stairs, to his bed, to whatever came after that.
He hated his bedroom marginally less than he hated the rest of the house. He shared it with his brothers Cian and Cathal, who were messier than he was. The space was laid out in a Venn diagram; no matter how loudly he roared or how gingerly he protected what was his from what was theirs, they always managed to arrange an overlap. She sat on his bed—gratifying that she knew which was his—and he kicked his way around the floor, sending Dinky cars and Lego and inside-out pyjama bottoms under beds and into corners.
She was sitting on her hands and so when they kissed it was as if they’d never kissed before and weren’t entirely sure whether they’d like it. The second one was better. She reached to cradle his face. The side of her finger brushed against the back of his ear. He pushed her school jumper over her breasts and when she pulled back to take it off he copied her.
“Maybe,” she said, three buttons down, “like, we should close out the door. Just in case.”
“I could pull one of the beds in front of it?”
“Yeah.”
He pulled the curtains too. They lay on his bed and held each other, and kissed, and more clothes came off, and all the way along he kept thinking that she was going to withdraw her approval, that his hands would betray him here as he worried they would on the piano keys.
She didn’t. She kissed him back and pressed against him and helped him. And he wondered if he could do this with her in every room would it sanctify the place, exorcise it of the echoes of words spat and fists thrown?
He wondered if he should stop wondering, when a wandering mind was heresy.
“Just be careful,” she whispered. “Oh please, Ryan, be careful.”
She clasped her hands around his neck and he found his right hand on her left knee, gently pushing out and oh fuck, that was it, he was totally done for.
Cork City isn’t going to notice the first brave steps of a resolute little man. The city runs on the macro: traffic jams, All-Ireland finals, drug busts, general elections. Shit to complain about: the economy, the Dáil, whatever shaving of Ireland’s integrity they were auctioning off to mainland Europe this week.
But Monday lunchtime was the whole world to one new man, and probably a thousand more besides, people who spent those couple of hours getting promotions or pregnancy tests or keys to their brand-new second-hand cars. There were people dying, too. That’s the way of the city: one new man to take the place of another, bleeding out on a polished kitchen floor.
Maureen had just killed a man.
She didn’t mean to do it. She’d barely need to prove that, she thought; no one would look at a fifty-nine-year-old slip of a whip like her and see a killer. When you saw killers on the telly, they always looked a bit off. Too much attention from handsy uncles, too few green vegetables. Faces like bags of triangles and eyes like buttons on sticks. Pass one on the street and you’d be straight into the Gardaí, suggesting that they tail the lurching loon if they’re looking for a promotion to bring home to the mammy in Ballygobackwards. Well, not Maureen. Her face had a habit of sliding into a scowl between intentional expressions, but looking like a string of piss wasn’t enough to have Gardaí probing your perversions. There’d have been no scandals in the Church at all, she thought, if the Gardaí had ever had minds honed so.
She looked at the man face-down on the tiles. There was blood under him. It gunged into the grout. It’d need wire wool. Bicarbonate of soda. Bleach. Probably something stronger; she wasn’t an expert. She didn’t usually go around on cat feet surprising intruders with blunt force trauma. This was a first for her.
She was shit at cleaning, too. Homemaking skills were for good girls and it was forty years since anyone had told her she was oneof them.
He was definitely dead, whoever he was. He wore a once-black jumper and a pair of shiny tracksuit bottoms. The back of his head was cracked and his hair matted, but it had been foxy before that. A tall man, a skinny rake, another string of piss, now departed. She hadn’t gotten a look at his face before she flaked him with the Holy Stone and she couldn’t bring herself to turn him over. It’d be like turning a chop on a grill, the thought of which turned her stomach. She’d hardly eat now. What if his eyes were still open?
There was no question of ringing for the guards. She did think—her face by now halfway to her ankles—that it might be jolly to ring for a priest, just to see how God and his bandits felt about it. But she didn’t think she’d be able for inviting one of them fellas over the threshold. Two invasions in a day? She didn’t have the bleach.
She turned from the dead man to pick up her phone.
Jimmy had drawn priests down upon her like seagulls to the bridge in bad weather. He was sin, poor thing, conceived in it and then the mark of it, growing like all bad secrets until he stretched her into a shape no one could shut their eyes to.
If she’d been born a decade earlier, she reckoned giving birth out of wedlock would have landed her a life sentence scrubbing linens in a chemical haze, hard labour twice over to placate women of God and feather their nests. But there was enough space in the seventies to allow her room to turn on her heel and head for England, where she was, on and off, until the terrible deed she’d named James tracked her down again with his own burden to show her.
Some women had illegitimate babies who grew up to be accountants, or teachers, or heirs to considerable acres of good ground in the midlands. Not Maureen.
She frowned at the blood on the floor and dialled. Jimmy would know what to do. This was exactly the kind of thing he was good at.
Product details
- ASIN : B00N9AVITK
- Publisher : John Murray
- Accessibility : Learn more
- Publication date : 9 April 2015
- Edition : 1st
- Language : English
- File size : 7.3 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 385 pages
- ISBN-13 : 978-1444798876
- Page Flip : Enabled
- Part of series : Ryan Cusack Book
- Best Sellers Rank: 175,743 in Kindle Store (See Top 100 in Kindle Store)
- 1,422 in Classic Literary Fiction
- 2,419 in European History (Kindle Store)
- 4,768 in Family Life Fiction (Kindle Store)
- Customer reviews:
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Customers find this book to be a brilliant read with well-written prose, though some find it incomprehensible at times. They appreciate its humor, particularly its out-right bursts of very black humor, and praise the character development, especially Maureen's character. The story receives mixed reactions - while some find it vibrant, others describe it as bleak. The book's authenticity and pacing receive positive feedback, with one customer noting how it portrays the grim realities of life.
AI-generated from the text of customer reviews
Customers find the book highly readable, describing it as a brilliant novel that is a joy to read.
"This was not an easy read, but it was a really good one, and I am already looking forward to this new author's next...." Read more
"...to readers who are easily shocked, but for the rest of us, this an outstanding, unmissable and wildly irreverent read of a group of people in search..." Read more
"This may actually be a better book than I've rated it but it's not for the squeamish...." Read more
"This is a cleverly written novel with a highly pessimistic perspective...." Read more
Customers enjoy the book's humor, particularly its out-right bursts of very black humor, with one customer noting the careful word choice with puns.
"...Don't get me wrong, it was witty, very, very witty but in a very dark way, but it was very much Ireland in the Tana French style than Marian Keyes..." Read more
"...but for the rest of us, this an outstanding, unmissable and wildly irreverent read of a group of people in search of redemption...." Read more
"This is a cleverly written novel with a highly pessimistic perspective...." Read more
"...There is a gentle mix of occasional (black) humour and irony. Not surprising to see the great reviews and prize nominations...." Read more
Customers appreciate the pacing of the book, praising its believable world and well-conceived narrative, with one customer noting how it portrays the grim realities of life.
"...Don't get me wrong, it was witty, very, very witty but in a very dark way, but it was very much Ireland in the Tana French style than Marian Keyes..." Read more
"...who are easily shocked, but for the rest of us, this an outstanding, unmissable and wildly irreverent read of a group of people in search of..." Read more
"...It presents a vivid picture of the struggle for survival on the margins of Irish society...." Read more
"...Drifting around the underbelly of Cork, it's a raw and gripping story of real people and it's exceptional...." Read more
Customers love the characters in the book, particularly Maureen, and one customer notes how the narrative links all the protagonists together.
"...McInerney creates a cracking set of unbelievably complex and charismatic characters, not all are likeable, but you cannot help but find them..." Read more
"...The characters are real and complex...." Read more
"...However, I found the style somewhat disjointed and distracting at times...." Read more
"...I found the characters to be richly-drawn and very believable and felt tremendous sympathy for Ryan and his father in particular, despite their..." Read more
Customers appreciate the book's honesty.
"...It's honest, without being gory or gratuiously violent. The violence is never too much and it's always explained and necessary...." Read more
"...It's realism but not as we know it, Scotty. It is all just a bit too hysterical, and exaggerated, a cartoon version of life in the underworld." Read more
"...It deserved to win for its detail and authenticity and for dealing with the tough issues without lecturing" Read more
"Brilliant! What a read! What a talent! Raw, honest, heartbreaking and heartwarming. The writing is like fireworks; dazzling...." Read more
Customers have mixed opinions about the story quality of the book, with some finding it vibrant and interesting, while others describe it as bleak and express disappointment with the ending.
"...Superficially, it's a story about drugs and drink - dealing, imbibing, over-imbibing, and the consequences. At all levels...." Read more
"...Maybe, it's like that in Ireland but it is an extreme picture, bleak and pessimistic about humanity." Read more
"A gloriously moving, blackly comic, filthy and vibrant story from the award winning Lisa McInerney set in the rough port city of Cork in Ireland...." Read more
"...This is a dark thought provoking novel which doesn't offer any easy answers. Readers who persist to the end should find their efforts worthwhile...." Read more
Customers have mixed opinions about the writing quality of the book, with some praising its well-written prose and empathetic approach, while others find it difficult to read and note that it can be incomprehensible at times.
"...The beautiful and intense prose, often lyrical, is a real joy. A simply brilliant novel that comes highly recommended!..." Read more
"...Mostly it is told in third person with a roving viewpoint that is able to hear and report interior monologue whilst adding a heavy editorial..." Read more
"...think is entirely disconnected, and which I found initially quite difficult to follow - I had to keep going back and checking on who was who and who..." Read more
"...5 star for the great writing. It really brings to life the damp, cold seedy streets of Cork...." Read more
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 14 November 2016This was not an easy read, but it was a really good one, and I am already looking forward to this new author's next. I bought it as a KDD, a quick read at the blurb, saw it was set in Cork (a city I love) and had won a recent woman's fiction prize. I obviously didn't pay too much attention to the blurb though, because this was not the soft, witty novel I expected. Don't get me wrong, it was witty, very, very witty but in a very dark way, but it was very much Ireland in the Tana French style than Marian Keyes (both of whom, incidentally, I love).
Superficially, it's a story about drugs and drink - dealing, imbibing, over-imbibing, and the consequences. At all levels. Ryan, the 'main' character, starts dealing when he's fifteen. I was shocked, as I was meant to be, because when first we meet Ryan, all he can talk about his how much he loves Karine, his girl friend, and how astounded he is to find himself with such a girlfriend in the first place. There's hints, in that early encounter, that all is not well in Ryan's household, but you have no idea just how dysfunctional it and he are. He's just really nice. You're on his side instantly. So further revelations really kick you in the gut. You know, it is only hitting me now how clever that was - because when I was reading it, I didn't notice the narrative structure particularly at all - and sadly, I usually do. I was so caught up in the characters and the story.
It's a very clever story too. A careful web, which you think is entirely disconnected, and which I found initially quite difficult to follow - I had to keep going back and checking on who was who and who had done what. But once you get into it, you're compeletely entangled and fascinated, and your emotions are wrung out. This isn't really a story about drugs, it's a story about chances, and fate, and about how your genes and your circumstances make it impossible for you to beat them, no matter how 'gifted' or talented you are - how they make you - force you - to confront them only on their level, using only the tried and tested-to-fail tool that everyone else has, so that you can't do anything else but fail. And oh, how I wanted Ryan to succeed, I really, really wanted him to.
This is a terrible book, in the sense that it's about terrible things. It's not depressing, because up until the end you have hope - and one of the things I was left with was a smidgin of hope too, even though I know I'm wrong. It's incredibly funny in a twisted and dark way, the language is witty and sharp and it's beautifully structured and written. It leaves you feeling wrung out and at the same time, desperate for more. And this is my gripe, and the reason I gave it four and not five stars. The ending. I kind of knew it would be inconclusive - how could it be anything else. I kind of didn't want it to be anything else, because if it was all nicely tied up, it would not have been true to the story. But I felt cheated all the same. I felt as if I was left hanging - that hope thing, where I knew it was daft of me, but still I had it. Is there going to be another book in the story? It's my only explanation. And I'll be out there like a shot downloading it if there is.
If you do like Tana French's Irish world, I'd highly recommend this. If you don't want to be traumatised and depressed then don't read this. But if you like your books hard-hitting and well-written and page-turning, then go for this.
- Reviewed in the United Kingdom on 25 January 2018A gloriously moving, blackly comic, filthy and vibrant story from the award winning Lisa McInerney set in the rough port city of Cork in Ireland. 15 year old drug dealer Ryan Cusack has no intention of being anything like his violent and alcoholic dad, Tony, and he is mad for Karine, and wonder of wonders, she likes him. There is the unspeakable horror that is the larger than life neighbour. Maureen Phelan is the mother of Jimmy, the king of the criminal underbelly of Cork, and finds herself committing the unintended murder of an unfortunate intruder. The mess created by the dead body needs cleaning up, for which Jimmy plans to hire Tony to help him. The murder sets off a series of consequences that bring mayhem and danger to a number of characters. You cannot have a book set in Ireland without reference to the Catholic Church, there is Georgia, a prostitute who finds religion while McInerney adroitly reveals the hypocrisies of the church. Essentially, this is tale of sex, drugs, alcohol, crime and religion, and delivered with such panache with its 'in your face' earthy and gritty style.
McInerney creates a cracking set of unbelievably complex and charismatic characters, not all are likeable, but you cannot help but find them desperately compelling. This book is not likely to appeal to readers who are easily shocked, but for the rest of us, this an outstanding, unmissable and wildly irreverent read of a group of people in search of redemption. The beautiful and intense prose, often lyrical, is a real joy. A simply brilliant novel that comes highly recommended! Many thanks to John Murray Press for an ARC.
- Reviewed in the United Kingdom on 6 June 2016This may actually be a better book than I've rated it but it's not for the squeamish. In fact, its main topics are prostitution, drugs, alcoholism, organised crime and violence (often to people incapable of resistance). The trouble with this kind of story is that you don't get a break and you end up dry mouthed and slightly hung over.
In that sense, it reminds me of A Brief History of Seven Killings which had the same feel and the same refusal to acknowledge any sort of humanity in its characters who are propelled into this chaotic world and don't seem able to get off the train. Even when people try to be kind and form loving relationships two pages later you're into pregnancy, abortion and it all goes wrong. Maybe, it's like that in Ireland but it is an extreme picture, bleak and pessimistic about humanity.
- Reviewed in the United Kingdom on 9 July 2016This is a cleverly written novel with a highly pessimistic perspective. It presents a vivid picture of the struggle for survival on the margins of Irish society. McInery follows the grim routines of her characters through Cork City's twisted underworld. A casual killing and then its cover up launches a chain of events involving brutality, violence, loss and madness.
The book's cast features psychopathic gangsters; pimps; prostitutes; adolescent drug dealers; and parents who've lost their lives to alcohol. McInerney's deft style takes us into Cork's brothels and through terraces where residents eke out lives of quiet despair. We see the struggles and decline of the characters as, over several years, the bleak action plays itself out.
This is a dark thought provoking novel which doesn't offer any easy answers. Readers who persist to the end should find their efforts worthwhile. Ultimately they will need to decide for themselves whether the book offers any of its characters a hope of redemption.
Top reviews from other countries
- SnapdragonReviewed in Australia on 23 November 2017
5.0 out of 5 stars Terrific ... and depressing
This book is really deserving of its prize for women authors. Like many Irish, Lisa McInerney has a fantastic way with words. A feel-good novel this is not. The Cork she describes is unremittingly bleak, full of drunks, hard men, druggies and prostitutes. It’s an Ireland caved in by recession, still struggling with the benighted legacy of a hypocritical church. In fact, one of the most enjoyable passages is when old Maureen decides to go to confession and ends up lambasting the priest with a searing denunciation of church tyranny and cruelty. The infamous Magdalen Laundries are just the tip of the iceberg. Women, of course, are whores or subservient, narrow-minded bitches like Maureen’s mother. Having just read about the Mosuo, a matrilineal, mostly matriarchal society in SW China, where women take whatever lovers they choose, and where children are raised in the family compounds of their mothers, I often wonder how different the world would have been if we all lived like them. We fear for Ryan, the main character, as he negotiates the rocky path to manhood. His ascent and descent are compellingly described. Recommended.
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walliReviewed in Germany on 8 November 2018
4.0 out of 5 stars Helden von Cork
Schon mit 15 hat Ryan Cusack das Gefühl, sein Leben geht den Bach runter. Sein Vater war schon immer ein Säufer und nach dem Tod der Mutter ist es für Ryan, den Ältesten, und seine fünf Geschwister auch nicht besser geworden. Mit kleinen Dealereien versucht Ryan, zu etwas zu kommen. Obwohl eigentlich gut in der Schule, schafft Ryan den Rauswurf. Wie ein Licht in dieser Welt ist Ryans Freundin Karine. Doch eine Kette unerwartet schlimmer Ereignisse wird durch den eher zufälligen Totschlag ausgelöst, den Maureen, die Mutter des Gangsters Jimmy Phelan, begeht.
Über fünf Jahre wird der Absturz der Beteiligten, unter ihnen zuerst Ryan Cusack, gezeigt. Sie alle halten sich mit mehr oder weniger unsauberen Geschäften über Wasser, sie bezichtigen sich mehr oder weniger großer Sünden, sie haben grundsätzlich nicht Schuld und mit ihren Handlungen versuchen sie, das Schicksal zu ihren Gunsten zu wenden und erreichen doch das Gegenteil. Der wirtschaftliche Niedergang einer ganzen Stadt scheint sich in Cusacks kleiner Welt widerzuspiegeln. Sein Viertel mit Sozialwohnungen, Kleinkriminalität, Hoffnungslosigkeit und Armut. So garnicht passt das zu dem öffentlichen Bild von Cork, das eher einer heiteren, offenen und wohlhabenden Kommune entspricht. Bei aller Ausweglosigkeit, gibt es nicht immer Momente, in denen andere Entscheidungen getroffen werden können?
Trotz aller Düsternis weist dieser Debütroman von Lisa McInerney doch einige von dem für Cork anscheinen typischen Humor auf. Wenn Maureen den Einbrecher mit einer Heiligenstatue erschlägt, kann man sich ob der Absurdität kaum ein Grinsen verkneifen. Allerdings gefriert dieses schnell auf den Lippen, wenn man die weiteren Ereignisse in Betracht zieht. Irgendwie scheint es für die Protagonisten, die wahrlich nur kleine Helden sind, immer nur weiter abwärts zu gehen. Natürlich ist es schwer aus seinem Milieu herauszukommen, aber wenn man schon quasi einen Fuß draußen hat, warum zieht man den anderen nicht nach. Klar ist es schwierig, wenn man keine Unterstützung hat. Doch nimmt man zum Beispiel Ryan, dessen Geschichte in einem Folgeband weitererzählt wird, warum geht er nicht wieder zurück zur Schule, nur weil er dann ein paar Jahre älter ist? Wenn man wirklich raus will, ist das doch nicht das größte Problem.
Dieser Roman fesselt mit einer ausgesprochen düsteren Geschichte, bei der man den Protagonisten manchmal den Verstand zurechtschütteln möchte.
- BookwormReviewed in Spain on 17 November 2018
5.0 out of 5 stars Riveting yarn that keeps you entertained
Best book I've read in a long time. I couldn't put it down. A rollicking great yarn that avoids the old Irish stereotypes and introduces a fantastic range of believable characters in a far from idyllic modern Ireland
- Kindle CustomerReviewed in the United States on 14 October 2016
5.0 out of 5 stars None of the characters are good people, but neither are they bad
The dark underbelly of contemporary Cork. A group of flawed people whose paths crossed because of an accidental death. None of the characters are good people, but neither are they bad, most are trying to be better. The writing and character development are excellent, although I think the ending left some loose ends. I don't know why reviews talk about the humor. To me it is a very dark story, with nothing humorous about it, but well worth reading!
- MARGARET GReviewed in Australia on 21 May 2021
2.0 out of 5 stars Disappointing read.
This is a woefully grim book. The language used by the younger characters at times is just too old fashioned for their generation. That was the most off-putting aspect of the writing for me and I struggled to finish it unfortunately.