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Silent Voices (Vera Stanhope Book 4) Kindle Edition
Silent Voices is the fourth book in Ann Cleeves’s Vera Stanhope series – which is now a major ITV detective drama starring Brenda Blethyn as Vera.
No murder is ever simple . . .
When DI Vera Stanhope finds the body of a woman in the sauna room of her local gym, at first, she thinks it is a death from natural causes. But then Vera spots ligature marks around the victim’s throat and has another murder case on her hands.
The victim is Jenny Lister, who was an experienced social worker, but her neighbours are quick to inform Vera about Jenny’s involvement in a notorious case. A young child tragically died and a member of Jenny’s team was subsequently fired and vilified by the media.
As Vera tries to pry information from the secretive community another body is found, and Vera finds herself in a race against time to stop the killer.
Enjoy more of Vera Stanhope's investigations with The Crow Trap, Telling Tales, and Hidden Depths.
- LanguageEnglish
- PublisherMacmillan
- Publication date4 Feb. 2011
- Reading age18 years and up
- File size521 KB
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Review
'Cleeves is excellent not only on the main character, but on the mixture of exasperation and respect she evokes in others. Combined with intricate plotting, this makes for a compulsive read.' --The Independent
'Silent Voices is the forth outing for Ann Cleeves's overweight, eczema-ridden middle-aged Vera Stanhope. Vera is brusque, with "a chip on her shoulder the size of Keilder Forest", but she excels because her ordinariness grants her access to everyday lives... The bluntness that bodes well for the ITV adaption...' --Financial Times
'Ornery DI Vera Stanhope - soon to grace our small screens in the form of Brenda Blethyn as ITV's Vera - has her work cut out for her in Silent Voices by Ann Cleeves. Kicking off with a steamy opener as Stanhope discovers a dead body in a sauna... Stanhope enjoys being a bit of a bossy-boots but is a good sort really, relying heavily on her charming sidekick, Joe Ashworth: their ruminations over a fireside pint are requisite to their sleuthing success...' --Time Out
'All in all, this welcome addition to the Vera Stanhope series is a showcase for the strengths of the author in getting under the skin of apparently ordinary people, and conveying the intense passions that have simmered for years beneath an apparently normal surface.' --eurocrime
'Cleeves weaves an absorbingly cunning mystery and fans of Vera, the messy, overweight, man-less heroine of this crime series, will soon have a face to put to her, as the actress Brenda Blethyn take on her endearing charactering a forthcoming television series, Vera, based on the books.' --Daily Mail
'The novel is a sensible, straightforward, satisfying police procedural, supplying a fair variety of plausible suspects, motives and clues, in a recognisable middle England.'
--Literary Review
'Ann Cleeves is a skilful technician, keeping our interest alive and building slowly up to the denouement. Her easy use of language and clever story construction make her one of the best natural writers of detective fiction.' --Sunday Express
'Silent Voices is a more traditional crime novel that blends a classic whodunit with a psychological element. Detective Vera Stanhope is a remarkable creation, and her relationship with her sidekick, Joe Ashworth, is at the heart of the story. It shows how the death of a child can have a long-reaching effect on all concerned - parents, siblings and social workers.' --Bookseller
'DI Vera Stanhope and sidekick Joe Ashworth struggle to establish a connection between a woman strangled in her gym and the death of a child. Compelling.' --Woman and Home
From the Back Cover
As a hidden draft cleared the mist again, Vera realized that her companion was too still and her skin was too pale.
When DI Vera Stanhope finds the body of a woman in the steam room of her local pool, she wonders briefly if, for once, it's a death from natural causes. But closer inspection reveals ligature marks around the victim's throat . . .
Vera pulls her team together and sets them interviewing staff and those connected to the victim, while she and Sergeant Joe Ashworth work to find a motive. While Joe struggles to reconcile his home life with the demands of the job, Vera revels in being back in charge of an investigation. Death has never made her feel so alive.
When they discover that the victim had worked in social services - and was involved in a shocking case involving a young child - it seems the two are somehow connected. But things are rarely as they seem . . .
'An absorbingly cunning mystery' Daily Mail
'Ann Cleeves is a skilful technician, keeping our interest alive and building slowly up to the denouement. Her easy use of language and clever story construction make her one of the best natural writers of detective fiction' Daily Express
www.anncleeves.com
@anncleeves
facebook.com/anncleeves
About the Author
Ann Cleeves is the author of more than thirty-five critically acclaimed novels, and in 2017 was awarded the highest accolade in crime writing, the CWA Diamond Dagger. She is the creator of popular detectives Vera Stanhope, Jimmy Perez and Matthew Venn, who can be found on television in ITV’s Vera, BBC One’s Shetland and ITV's The Long Call respectively. The TV series and the books they are based on have become international sensations, capturing the minds of millions worldwide.
Ann worked as a probation officer, bird observatory cook and auxiliary coastguard before she started writing. She is a member of ‘Murder Squad’, working with other British northern writers to promote crime fiction. Ann also spends her time advocating for reading to improve health and wellbeing and supporting access to books. In 2021 her Reading for Wellbeing project launched with local authorities across the North East. She lives in North Tyneside where the Vera books are set.
Excerpt. © Reprinted by permission. All rights reserved.
Silent Voices
A Vera Stanhope Mystery
By Ann CleevesSt. Martin's Press
Copyright © 2011 Ann CleevesAll rights reserved.
ISBN: 978-1-250-03358-1
CHAPTER 1
Vera swam slowly. An elderly man with a bathing hat pulled like a fully stretched condom over his head went past her. He wasn't a strong swimmer, but he was faster than she was. She was the sloth of the swimming world. But still she was almost faint with the effort of moving, with pulling the bulk of her body through the water.
She hated the sensation of water on her face — one splash and she imagined she was drowning — so she did a slow breaststroke with her chin a couple of inches from the surface of the pool. Looking, she suspected, like a giant turtle.
She managed to raise her head a little further to look at the clock on the wall. Nearly midday. Soon the fit and fabulous elderly would appear for aqua-aerobics. The women with painted toenails, floral bathing costumes and the smug realization that they'd be the last generation to retire early in some comfort. There'd be loud music, the sound distorted by a tortuous PA system and the appalling acoustics of the pool, so it would hardly seem like music at all. A young woman in Lycra would shout. Vera couldn't bear the thought of it. She'd swum her regulation ten lengths. Well, eight. She couldn't do self-deception if her life depended on it. And now, her lungs heaving, she really felt that her life did depend on it. So sod it! Five minutes in the steam room, a super-strength latte, then back to work.
The swimming had been her doctor's idea. Vera had gone for a routine check-up, prepared for the usual lecture about her weight. She always lied about her alcohol intake, but her weight was obvious and couldn't be hidden. The doctor was young, looked in fact like a bairn, dressed up in respectable adult clothes.
'You do realize you're killing yourself?' She'd leaned forward across the desk so that Vera could see that the perfect skin was uncovered by make-up, smell a discreet grown-up perfume.
'I'm not frightened of dying,' Vera had said. She liked making dramatic statements, but thought this one was probably true.
'You might not die, of course.' The doctor had a clear voice, a bit on the high side to make for pleasant listening. 'Not immediately at least.' And she'd listed the unpleasant possible symptoms that might result from Vera's overindulgence. An old-fashioned school prefect laying down the law. 'It's about time you started making some difficult lifestyle choices, Ms Stanhope.'
Inspector, Vera had wanted to say. Inspector Stanhope. Knowing that actually this child would be unimpressed by the rank.
And so Vera had joined the health club in this big out-of-town hotel, and most days she squeezed an hour from her day and swam ten lengths. Or eight. Never, she thought self-righteously, fewer than eight. She tried to choose a time when the pool was empty. Early mornings and evenings were impossible. Then the changing room was overrun by the young, the skinny, tanned women who plugged themselves into iPods and used all the equipment in the gym. How could Vera expose her eczema-scaly legs, her flabby belly and cellulite in front of these twittering, giggling goddesses? Occasionally she would peer into the room that looked like an updated torture chamber, with huge machines and heaving, writhing bodies. The men were gleaming with sweat and she found herself fascinated by them, by the slippery muscles, the heavy shoulders and the trainer-clad feet pounding on the treadmill.
Usually she came to the health club in mid-morning, dashing away from work with the excuse of a meeting. She'd chosen a place that was some distance from work; the last thing she wanted was to be recognized by someone she knew. She hadn't told her colleagues she'd joined, and though perhaps they'd picked up the smell of chlorine on her skin or hair, they knew better than to comment. Now she reached the edge of the pool and stood up to catch her breath. It would be impossible to heave herself out as she'd seen the youngsters do. As she waded to the steps, one of the staff moved the line of floats into the middle of the pool to mark off the area reserved for aqua-aerobics. She was just in time.
* * *
The steam room smelled of cedar and eucalyptus. The steam was so thick that she couldn't make out at first if anyone else was there. She didn't mind sharing the room with other women — at least nobody here could see the detail of her ugliness. They might sense her bulk, but nothing else about her. Oddly, though, she felt vulnerable if she was alone here with a man. It wasn't that she feared attack or even an inappropriate touch, the possibility that some nutter might expose himself. Only a swing door separated them from the noise of the pool. A scream would bring one of the staff. And she'd never been much scared by nutters. But there was an intimacy here that disturbed her. She felt that if she struck up a conversation she might reveal herself in a way that she would later regret. Almost naked, drugged by the heat and the smell, this was a place where an encounter might lead into disclosed confidences, difficult territory.
She saw that she was sharing the steam room with a woman, who sat in the corner, her knees bent, so that her feet rested on the marble bench. Her head was tilted back and Vera thought she seemed completely relaxed. Vera envied her. Complete relaxation was a state she rarely achieved. The child-doctor had suggested yoga and Vera went for one session, but found it excruciatingly boring. To hold a pose for what seemed like hours, to lie flat on one's back while thoughts and ideas charged around one's head, sparking a need for action. How could that possibly be relaxing? Vera lowered herself carefully onto the marble, slippery with condensation, but still made a sound like a wet fart. No response from the tactful woman in the corner. Vera tried tipping back her head and shutting her eyes, but thoughts of work intruded. There was no specific case to trouble her. It had been unusually quiet since Christmas. But there was always something: a niggle about office politics, the memory of a lead that should have been followed. It was at these times of physical stillness that her brain was most active.
She opened her eyes and shot a jealous glance at the woman in the corner. The steam seemed less thick and Vera saw that she was middle-aged rather than elderly. Short curly hair, a plain blue costume. Slender, with long, shapely legs. Only then, as a hidden draught cleared the mist again, did Vera realize that her companion was too still and her skin was too pale. The object of Vera's envy was dead.
CHAPTER 2Out in the pool area the aerobics class had begun. There was music, though only the thumping bass beat was discernible. Vera looked over the swing door. In the water the women were twisting their bodies and waving their hands in the air. She bent over the body and felt for a pulse, knowing as she did so that she wouldn't find one. The woman had been murdered. There were petechiae in the whites of the eyes and bruising around the neck. She knew it was wrong, but a little voice in Vera's head shouted in excitement. Now she hesitated. The last thing she wanted was to create mass panic. Neither was she prepared to greet medics or colleagues in a black bathing costume, which gave her the appearance of a small barrage balloon. She needed to dress first.
A young woman in the uniform dress of yellow polo shirt and yellow shorts was collecting sponge floats from the side of the pool. Vera waved her over.
'Yes?' A badge strung around the woman's neck on a bit of nylon string said she was called Lisa. She droped the floats into a pile, gave a professional smile.
'There's a dead woman in the steam room.' The background noise was so loud that Vera had no anxiety that she'd be overheard.
But the girl had heard her. The smile disappeared. Lisa stared at her, speechless and horrified.
'I'm the police,' Vera said. 'Detective Inspector Stanhope. Stand there. Don't go in and don't let anyone else in.' Still no response. Lisa continued to stare. 'Did you hear me?'
Lisa nodded — still, it seemed, unable to speak.
The changing room was almost empty because the class was continuing. Vera pulled her mobile from the locker and phoned Joe Ashworth, her sergeant. For a moment she considered lying. I was having coffee in the bar and the staff called me down when they found the body. But of course that wouldn't do. She'd sweated in the steam room, sneezed. Her DNA would be there. Along with that of a countless number of health-club members. Besides, how many times had she ranted about the small lies told by witnesses to hide embarrassment?
With her free hand Vera pulled on her knickers. Once the class was over, people would be queuing up to use the steam room and she wasn't sure the little lassie in yellow had it in her to stop them.
Ashworth answered.
'I've got a suspicious death,' she said. No need after all to go into how she came to be involved. She sketched in the details. 'Get things moving and get yourself down here.'
'Why isn't it natural? Heat, exertion, you'd think heart attack. Maybe someone at the health club's been watching too many cop shows on the telly? Put two and two together and come up with five?'
'The poor woman was strangled.' Vera knew it was wrong, but she expected somehow that Ashworth could read her thoughts, was always irritated when it was clear he couldn't. Besides, would she really have called him out for a heart attack?
'I'm just down the road,' he said. 'In that fancy garden centre to pick up a present for my mam's birthday. I'll be there in ten minutes.'
She ended the call and continued dressing. Somehow her skirt had fallen on top of her costume and had a damp patch at the back. Looked as if she'd pissed herself. She swore under her breath, walked back to the pool area, avoiding the footbath and aware of disapproving glares. This wasn't a place for the fully clad. She needed to find a manager, but she didn't want to leave the scene. The aerobics class was reaching its climax. A conga of prancing ladies — with one or two gents — circled the pool. The music stopped and the conga fell apart in a laughing, chattering heap. Lycra-woman shouted into her microphone that they'd all done very well and she looked forward to seeing them next time.
Vera snatched her moment, and the microphone, from the hand of the instructor. Paused for a second. She'd always enjoyed being the centre of attention. Was aware that she was considered at times a figure of fun, but minded that less than being ignored.
'Ladies and gentlemen.'
They stared, disturbed it seemed by this change to routine, by this woman who was so obviously out of place. What was going on? A demonstration perhaps? The Fat People's Democratic Front insisting on the right to be unhealthy? This, at least, was how Vera judged their reaction. But she had her clothes on and that gave her a sense of superiority. From here she could see the wrinkled necks and the bingo-wings; she looked down on the untinted roots of their hair.
'I'm Inspector Vera Stanhope of Northumbria Police.' Glancing up, she saw Joe Ashworth emerge from the changing rooms with a man in a suit whom she took to be part of the hotel management. He'd been even quicker than she'd expected. 'I regret to say that there's been a sudden death in the club and I ask for your cooperation in the matter. Please return to the changing rooms. Once you're dressed, you'll be asked to wait in the lounge for a short while until we take a few details. We'll inconvenience you as little as possible, but we might need to contact you further.' She looked across the water at Ashworth and his companion. Both nodded to show they too had understood what was expected of them.
The pool emptied slowly. They were all curious and excited. Like a bunch of school kids, Vera thought. At least there'd be no complaints about their being kept waiting for statements to be taken. They had too much time on their hands and not enough excitement in their lives. It was hard to believe that one of them might be a murderer.
Ashworth moved around the pool to join her, followed by the suit. The stranger was young, eager to please, small and bouncy and round. She'd worried that the hotel management might be obstructive: murder might not be good for business; but this man seemed as excited as the pensioners in the pool. He stood on the balls of his feet and rubbed his hands together. It seemed to Vera that he was thinking what a good story he'd have to tell his lass when he got home that night, and hoping that his picture might appear on the local television news. These days everyone wanted their moment of fame.
'This is Ryan Taylor,' Ashworth said. 'Duty manager.'
'Anything I can do, Inspector?'
'Aye. Rustle up some tea and coffee. Lots of it, and serve it in the lounge. With biscuits. Sandwiches. We'll be keeping folk hanging around for a long time and it's already lunchtime. Best keep them sweet.'
Taylor hesitated.
'You can charge them for it,' she said, catching his drift. 'The fees at this place, they can afford a couple of quid for a fancy coffee.'
His face brightened. The death of a strange middle-aged woman wasn't so much a tragedy for him, she thought. More a marketing opportunity. She expected him to leave them, but he just moved a couple of yards away and talked into the walkie-talkie he had clipped to his belt.
Lisa still stood just outside the steam-room door. She was pale. Vera wondered if she'd opened the door and looked inside. A young lass like her, Vera would have expected a reaction more similar to that of the manager. Death wouldn't be real for her. It would be the first scene of a TV drama.
'Have you touched anything?' Vera asked. 'No problem, like, if you have. But you need to tell me. Fingerprints. You know.' But the outside of the door would be the only place they'd get fingerprints, she thought. No chance inside with all that steam. The fingerprint powder would turn to sludge.
At last Lisa did speak. A small, timid voice. 'No,' she said. 'I didn't touch anything.'
'Are you all right, pet?'
The young woman seemed to pull herself together, smiled. 'Yeah, sure.'
'Been on duty all day?'
'Since eight this morning.'
Vera pulled a pair of latex gloves over her hands. Joe had given them to her earlier. He was a real Boy Scout, Joe, and always prepared. Looking down at her fingers, she was reminded of the old man in the swimming cap. Would she recognize him with his kecks on? Maybe not. She opened the steam-room door. 'Take a peep,' she said. 'Don't worry. It's not that gruesome. But I'd like to know if you recognize her. Could save us a fair bit of time.' Behind Lisa's head Joe Ashworth was frowning and shaking his head, all disapproval and indignation. He seemed to think women were delicate flowers who couldn't survive without his protection.
'I don't really know any of the names,' Lisa said. 'You don't in the pool. If you're running a class, that's a bit different.'
'Still, you should be able to tell us if she's a regular. She might do one of your classes too.'
Lisa hesitated, then looked inside.
'Have you seen her before?' Vera demanded. What was it with the lass? Vera couldn't be doing with these weak and wilting young women.
'I'm not sure. They all look much the same, don't they?' And Vera supposed they did. Just as all the skinny young women looked the same to her.
'Can we get this steam switched off?' Vera didn't know what damp and warmth did to a corpse, but she didn't suppose it would help preserve it. 'Without going in there, I mean.'
Taylor bounced over to her. 'Sure, I'll organize it now.' He hesitated. 'Is there anything else I can do to help?'
'I'm assuming she died here this morning,' Vera said. 'I mean, the place would have been cleaned overnight. Someone would have noticed if she was in the steam room then.'
'Sure. Of course.'
But the words seemed forced to her. 'Really? This is a murder inquiry. I'm not fussed about your hygiene regime.'
'We've been having problems with our cleaning staff. A couple of the regular girls are off sick. I brought in a temp, but he's not brilliant. I'm not saying he didn't clean in here, but it wouldn't surprise me if he'd sloped off early.'
'Where did you get him from?' Vera tried not to sound too keen, but felt a spark of interest. New member of staff. Dead punter. Didn't necessarily mean there was a connection, but it would make life a whole lot easier if the temporary cleaner had a conviction for killing middle-aged women. Or if the victim turned out to be his estranged wife.
'He's the son of our receptionist. University student home for the holidays.'
(Continues...)Excerpted from Silent Voices by Ann Cleeves. Copyright © 2011 Ann Cleeves. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Product details
- ASIN : B004M8S40E
- Publisher : Macmillan
- Accessibility : Learn more
- Publication date : 4 Feb. 2011
- Edition : Main Market
- Language : English
- File size : 521 KB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 322 pages
- ISBN-13 : 978-0230758100
- Page Flip : Enabled
- Book 4 of 11 : Vera Stanhope
- Reading age : 18 years and up
- Best Sellers Rank: 8,132 in Kindle Store (See Top 100 in Kindle Store)
- 409 in Women Sleuths (Books)
- 471 in English Crime
- 519 in Women Sleuths (Kindle Store)
- Customer reviews:
About the author

Ann is the author of the books behind ITV's VERA, now in it's third series, and the BBC's SHETLAND, which will be aired in December 2012. Ann's DI Vera Stanhope series of books is set in Northumberland and features the well loved detective along with her partner Joe Ashworth. Ann's Shetland series bring us DI Jimmy Perez, investigating in the mysterious, dark, and beautiful Shetland Islands...
Ann grew up in the country, first in Herefordshire, then in North Devon. Her father was a village school teacher. After dropping out of university she took a number of temporary jobs - child care officer, women's refuge leader, bird observatory cook, auxiliary coastguard - before going back to college and training to be a probation officer.
While she was cooking in the Bird Observatory on Fair Isle, she met her husband Tim, a visiting ornithologist. She was attracted less by the ornithology than the bottle of malt whisky she saw in his rucksack when she showed him his room. Soon after they married, Tim was appointed as warden of Hilbre, a tiny tidal island nature reserve in the Dee Estuary. They were the only residents, there was no mains electricity or water and access to the mainland was at low tide across the shore. If a person's not heavily into birds - and Ann isn't - there's not much to do on Hilbre and that was when she started writing. Her first series of crime novels features the elderly naturalist, George Palmer-Jones. A couple of these books are seriously dreadful.
In 1987 Tim, Ann and their two daughters moved to Northumberland and the north east provides the inspiration for many of her subsequent titles. The girls have both taken up with Geordie lads. In the autumn of 2006, Ann and Tim finally achieved their ambition of moving back to the North East.
For the National Year of Reading, Ann was made reader-in-residence for three library authorities. It came as a revelation that it was possible to get paid for talking to readers about books! She went on to set up reading groups in prisons as part of the Inside Books project, became Cheltenham Literature Festival's first reader-in-residence and still enjoys working with libraries.
Ann Cleeves on stage at the Duncan Lawrie Dagger awards ceremony
Ann's short film for Border TV, Catching Birds, won a Royal Television Society Award. She has twice been short listed for a CWA Dagger Award - once for her short story The Plater, and the following year for the Dagger in the Library award.
In 2006 Ann Cleeves was the first winner of the prestigious Duncan Lawrie Dagger Award of the Crime Writers' Association for Raven Black, the first volume of her Shetland Quartet. The Duncan Lawrie Dagger replaces the CWA's Gold Dagger award, and the winner receives £20,000, making it the world's largest award for crime fiction.
Ann's success was announced at the 2006 Dagger Awards ceremony at the Waldorf Hilton, in London's Aldwych, on Thursday 29 June 2006. She said: "I have never won anything before in my life, so it was a complete shock - but lovely of course.. The evening was relatively relaxing because I'd lost my voice and knew that even if the unexpected happened there was physically no way I could utter a word. So I wouldn't have to give a speech. My editor was deputed to do it!"
The judging panel consisted of Geoff Bradley (non-voting Chair), Lyn Brown MP (a committee member on the London Libraries service), Frances Gray (an academic who writes about and teaches courses on modern crime fiction), Heather O'Donoghue (academic, linguist, crime fiction reviewer for The Times Literary Supplement, and keen reader of all crime fiction) and Barry Forshaw (reviewer and editor of Crime Time magazine).
Ann's books have been translated into sixteen languages. She's a bestseller in Scandinavia and Germany. Her novels sell widely and to critical acclaim in the United States. Raven Black was shortlisted for the Martin Beck award for best translated crime novel in Sweden in 200.
Bio and photo from Goodreads.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find this book to be a wonderful read with an intriguing plot full of twists and turns that keeps readers guessing until the last chapter. The writing is concise and easy to follow, with no unnecessary crude language, and they appreciate the well-developed characters, particularly Vera Stanhope. Customers praise the author's work, with one noting it's written by a true thriller writer, and they find it thoroughly engaging throughout.
AI Generated from the text of customer reviews
Customers find the book to be a wonderful read that doesn't disappoint, with several mentioning they love it as much as the TV series.
"...Very different to the Shetland books, equally enjoyable and, for me, will remain unsullied by TV adaptations." Read more
"...appears could be viewed with suspicion, whilst managing to be thoroughly entertaining at the same time...." Read more
"...The characters emerge subtly, but they’re very believable and develop beautifully through the story...." Read more
"...This is by far the best Vera Stanhope novel to date, with the same strengths and none of the weaknesses...." Read more
Customers enjoy the storyline of this book, praising its intriguing plot with twists and turns that keep readers guessing until the last chapter.
"...motivations and shortcomings are carefully built up and dissected as the tale progresses...." Read more
"...love of the drama of a murder investigation which really pulls the story forwards and how refreshing to have a Detective inspector who isn’t so hung..." Read more
"...the structure of the story is perfect and holds the reader to the very end. Brilliant!" Read more
"...The plot's quite basic, nothing wrong with that, a social worker is murdered and the police investigation into her death uncovers a series of random..." Read more
Customers appreciate the character development in the book, particularly Vera Stanhope, with one customer noting how they enjoy discovering more layers in her personality.
"...Characterisation is excellent and I felt as if I were sitting in on the interviews and discussions as the story both develops and unfolds...." Read more
"...too long a break I welcomed this unattractive, blunt and uncompromising woman into my life not in any small part due to her brilliant detection..." Read more
"A good story. Not too many characters so you think you can discover the murderer; but you can’t...." Read more
"...The story however is somewhat stilted and apart from this wonderful portrayal we are reduced to chapter upon chapter of police procedural as the..." Read more
Customers appreciate the writing style of the book, finding it concise, easy to read, and excellent in its descriptive elements, while also noting that it avoids unnecessary crude language.
"read on kindle. Excellent" Read more
"Ann Cleeves has a fantastic writing style. Drawing you in and making you part of the landscape. Clues abound but it takes Vera to sort them out." Read more
"...But it's well written, the suspense is nicely kept up and there are red herrings to keep you guessing. Well worth the read and an author to follow." Read more
"...It was well written and the characters are very believable...." Read more
Customers praise the development of the book, describing it as a wonderful creation and brilliant work, with one customer noting it's a great page turner from Ann Cleeves.
"...within a whisker of a chance of solving the crime, and it is brilliantly executed – no saggy middle for Vera Stanhope, well not in the book although..." Read more
"...Brilliant!" Read more
"i like Vera. I think she's been cleverly created...." Read more
"...much more interesting to read about an eccentric and yet perfectly believable spinster with many character faults than to be faced with the perfect..." Read more
Customers praise the writing quality of the book, particularly noting the well-crafted investigation of the crime and the well-thought-out plot.
"...Once again, Cleeves maintains a brisk pace, using a well crafted blend of narrative and dialogue...." Read more
"Brilliant author,just love her books,especially the Vera ones" Read more
"...This is again a thoughtful, well written plot that I find a gripping read and always has a satisfying conclusion...." Read more
"...Well worth the read and an author to follow." Read more
Customers find the book engaging and suspenseful, with one mentioning it kept them intrigued from the first page.
"Ann Cleeves has a fantastic writing style. Drawing you in and making you part of the landscape. Clues abound but it takes Vera to sort them out." Read more
"Another good book from Ann Cleeves. Her detectives are great and stories gripping. Ready for the next instalment now. Great reading." Read more
"...a relationship that works very well together and provides a certain dynamic to the stories...." Read more
"...But it's well written, the suspense is nicely kept up and there are red herrings to keep you guessing. Well worth the read and an author to follow." Read more
Customers enjoy the voice quality of the book, with one specifically praising the good dialogue.
"Thoroughly enjoyed Silent Voices. Ann Cleeves at her best as always. You think you have it and then she surprises you." Read more
"...I have not been disappointed - Silent Voices is gripping and quickly engages one with the characters. Well recommended." Read more
"An enjoyable read. Good dialogue and the descriptive elements not too intrusive. Having watched the television series it was easy hear their voices...." Read more
"Silent voices. this was a great read and can recomment it." Read more
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 25 April 2014Over the two books I've read featuring Vera Stanhope, I've become quite fond of the character. Middle aged, overweight, likes a drink, occasionally curmudgeonly, sartorially challenged and a discerning eye for a younger man, she's the antithesis of so many of her male counterparts in crime thriller series. Although she often seems slightly out of step, there's a comfortable feel about her. The apparently shambolic appearance and attitude hides a razor sharp mind and acute psychological insight which takes the reader through every twist and turn of the plot.
Vera discovers a social worker's body at the local health spa. She was involved with a case where a child was murdered. The finger of suspicion swings back and forth; Anne Cleeves is adept at both dropping clues and throwing in red herrings. A diverse range of characters could have opportunity and motive. Characterisation is excellent and I felt as if I were sitting in on the interviews and discussions as the story both develops and unfolds.
Part of the joy of these stories is the apparent simplicity. They seem to roll along what could be a dull investigative route. In fact, there's a lot going on, all character driven and there is insight and perception in the telling. People are the main players; their troubles, aspirations, motivations and shortcomings are carefully built up and dissected as the tale progresses. I'm looking forward to reading further books in this series. Very different to the Shetland books, equally enjoyable and, for me, will remain unsullied by TV adaptations.
- Reviewed in the United Kingdom on 15 October 2017Having returned to the Vera series with Silent Voices after far too long a break I welcomed this unattractive, blunt and uncompromising woman into my life not in any small part due to her brilliant detection skills.
The victim in this book is a social worker, found dead in a sauna by our very own Vera, yes an unlikely habitat for our steely detective, but even Vera realises she is mortal and had taken the advice to get some exercise and swimming appealed the most.
Vera is very much hoping that Jenny Lister died of natural causes but it isn’t to be and I chuckled to watch her brazen it out to her colleagues who were called to the scene to investigate the murder, not that they’d let even the merest whisper of surprise escape their lips in front of the formidable Detective Inspector.
Ann Cleeves gives us a puzzle with plenty of suspects, nearly everyone who appears could be viewed with suspicion, whilst managing to be thoroughly entertaining at the same time. With characters to become involved with, not least Vera’s sidekick, Joe Ashworth who finds Vera’s demands are in direct conflict with those of his wife during the course of this book this really does fit the bill as a modern police procedural. The sub-genre is one where I firmly believe the key investigator, in this instance Vera, needs to move the investigation along, despite real-life, this isn’t really a team sport and certainly not easy when the clues seem to point in different directions. Vera is the power behind the investigation without relegating her colleagues to idiots, they are just don’t shine quite as brightly as she does! The other secret of a success in this genre is to ensure the reader is invested in the investigation and the asides to the rest of the team are inserted just often enough to make sure that everything is explained well without ever entering that dangerous whiff of being patronising.
I like my crime books to have some humour and Vera’s very dry variety fits the backdrop of murder incredibly well with the perspective changing from third person to first so that we ‘hear’ Vera’s opinions in the raw so to speak, as well as watch others jump to attention to do her bidding, she really is an imposing character. I’m also a fan of probing the stories behind the headlines and at the time of publication of Silent Voices, there were lots of stories in the UK papers about Social Workers and their perceived failings. The author is thereby allowing the readers to feel they had their finger on the pulse of the debate whilst also encouraging a look at the issues from a number of viewpoints, not distilled into a bald headline which can’t ever take in the complexities of the whole issue.
One of the biggest draws of this particular lead character is her undisguised love of the drama of a murder investigation which really pulls the story forwards and how refreshing to have a Detective inspector who isn’t so hung up on the politics of the force that she is afraid to take risky decisions. The plot is unbelievably tangled with the reader needing to concentrate almost as much as Vera on the minutiae of information to be even within a whisker of a chance of solving the crime, and it is brilliantly executed – no saggy middle for Vera Stanhope, well not in the book although I would imagine stumbling across a dead body in the sauna is probably gives her just the excuse she wants to hang up her swimsuit!
- Reviewed in the United Kingdom on 30 August 2024This book had me hooked almost from the first page, actually scratch almost! The characters emerge subtly, but they’re very believable and develop beautifully through the story. the structure of the story is perfect and holds the reader to the very end. Brilliant!
- Reviewed in the United Kingdom on 1 February 2011Jenny Lister was perfect - a caring mother, a committed and principled social worker and, when DI Vera Stanhope opens the door to the steam room at a fashionable health club, perfectly dead. Vera doesn't believe in perfect people - and she's not that keen on social workers.
The investigation oscillates between the semi-private world of the health club and the Tyne Valley village of Barnard Bridge, where Jenny lived. Both communities are hives of gossip, rumour, snobbery and infighting, but is there anything that would justify murder? And is there any connection with the death of six year old Elias Jones, the boy Social Services was supposed to protect?
This is by far the best Vera Stanhope novel to date, with the same strengths and none of the weaknesses. Vera is now well established as the sharp-witted, sharp-tongued detective who is not above using Miss Marple's tactic of a cosy chat over a nice cup of tea ("if you're putting the kettle on, pet"), even if she would prefer whiskey.
Once again, Cleeves maintains a brisk pace, using a well crafted blend of narrative and dialogue. She has a strong sense of place and a feel for the way in which landscape shapes the lives of the inhabitants of England's most sparsely populated county. This is used to dramatic effect in a final race against time when even the forces of nature seem determined to thwart the police as they close in on the killer.
If you haven't read any of the other Vera Stanhope novels, you could do worse than start with "Silent Voices".
Top reviews from other countries
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Daniela LeonardiniReviewed in Italy on 24 November 2018
5.0 out of 5 stars Silent voices un romanzo per tutti
Silent Voices è il romanzo della serie di Vera che mi è piaciuto di più, è molto coinvolgente e ti tiene col fiato sospeso dalla prima all’ultima parola
- Dan0345Reviewed in Australia on 29 April 2024
5.0 out of 5 stars What a bucket of worms.
Don't read this with a glass of good wine. The twists will do your head in. A terrific read. Enjoy.
- M. Elyse St GeorgeReviewed in Canada on 3 April 2014
5.0 out of 5 stars Not the usual characters
I liked the fact that some of the characters are involved in routine social work, and the motivation appears to lie there instead of being just peripheral.The characters are particularly well drawn and Vera and Joe are consistent, if prickly, in their duty and off-duty interaction. The plot is, as usual, a good, well defined and an intriguing trail to the end.
- Carmen GaonaReviewed in Spain on 6 June 2015
5.0 out of 5 stars Great if you love these characters
An intriguing novel. Well written. I love Vera. I strongly recommed it for summer time. Remarkable and easy to read
- L. J. RobertsReviewed in the United States on 12 July 2014
5.0 out of 5 stars A thoroughly engrossing read. Cleeves should be much better known to American readers.
First Sentence: Vera swam slowly.
It’s not every day a police inspector finds a dead body sharing a sauna with her in a hotel health club, especially when that body is of a murder victim. Vera and her team work to find a killer in a village filled with people, and their secrets.
From the very first paragraph, one is caught up in the author’s voice; her dry humor and the character. By the end of the first chapter, on is also caught up in the story.
There is so much one could say about the characters, particularly Vera. How nice it is to have a female protagonist such as Vera. She’s a mature woman, overweight and unconcerned about her appearance—except, not totally unconcerned. She does care about being fair to her team, knows what motivates each of them, and is a very good leader; even though she drives them hard. She’s respected by her colleagues, even when they frustrate her. The relationship she has with Joe, her sergeant, is an interesting one…”Sometimes Vera though he represented her feminine side. He had the empathy, she had the muscle. Well, the bulk.” Even with the suspects, she doesn’t just investigate clues, but motivations; what makes people do what they do, what drives them.
Cleeves has a very interesting style. Although the story is told in 3rd person, when she focuses on Vera, it switches somewhat to first person as we gain insight on her life and character through an internal monologue and her observations…”These days, people expected senior female officers to walk straight out of “Prime Suspect.”
There is a very strong sense of place and wonderful descriptions. Particularly appealing is the contrast between the town and the desolation of Vera’s home. It’s very much part of her character.
Although the story is character driven, it certainly doesn’t lack for plot or suspense. We’re given plenty of characters with motives, nice red herrings and plot twists. “Vera” is currently a television series done by British ITV, and very well done it is. The only way I knew the villain in the book was having seen the episode. Otherwise, it really wasn’t obvious.
“Silent Voices” is a thoroughly engrossing read. It’s not a book you’ll put down and come back to later. Cleeves is a wonderful author who should be much better known to American readers.
SILENT VOICES (Pol. Proc-Det. Insp. Vera Stanhope-England-Contemp) – VG+
Cleeves, Ann – 1st in series
A Thomas Dunne Book for Minotaur Books, 2011